My Children (Mary, Gerald, and Gladys Thayer)
by Abbott Handerson Thayer
To a trained eye, almost every artwork contains clues that reveal a story. An artist may also convey subtle meaning through symbols or composition. Roll over this image to reveal the hidden meaning behind My Children.
Abbott Handerson Thayer, My Children (Mary, Gerald, and Gladys Thayer), about 1897, oil, 86 1/4 x 61 1/8 in., Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.122
Abbott Handerson Thayer, known for his paintings of angels, often used his children as models. Referring to My Children, Thayer wrote of his aim to show "three blissfully exalted children" in a way that "puts beauty to the eye first, and the idea last." One viewer admired the work so much that he said it would become "the greatest picture painted by an American." Use your mouse to roll over the image and find out more!
To learn about Thayer and his idealized figures, visit our online exhibition Abbott Handerson Thayer. You can also view this painting in person when our historic building opens July 1, 2006.
Print the Popups
Thayer's eldest daughter, Mary, is the central figure in what he called "my eternal trio group." Thayer sketched a younger Mary, shown here, in about 1887.
Thayer often used his children as models. In the 1891 painting, Virgin Enthroned, the artist arranged the same three models in a similar composition. Here, though, his daughter Mary is seated, and his title suggests that she represents the Virgin Mary.
Thayer originally intended to dedicate this painting to author Robert Louis Stevenson, whose writing he admired. A photograph of the work in progress reveals that a plaque, where Stevenson's initials would have been inscribed, was later replaced with a laurel wreath.
Thayer incised the words "NEVER TO RECEIVE ONE PIN-POINT OF RETOUCHING" near the bottom of this canvas. His concern is not surprising because conservators during that period often altered paintings.If you have comments or suggestions about this page please email us. The address is saaminteract@si.edu.
This Web feature is posted in loving memory of Richard Murray, a scholar of Thayer and a valued SAAM colleague.
[ American Art, Smithsonian American Art Museum, Abbott Handerson Thayer, Richard Murray ]
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