Also Known as: Theresa Bernstein Meyerowitz, Mrs.William Meyerowitz, Theresa F. Bernstein
Cracow, Austro-Hungarian Empire 1890
New York, New York 2002
- New York, New York
- East Gloucester, Massachusetts
- Philadelphia, Pennsylvania
Theresa Bernstein, Self Portrait, 1947, color etching on paper, Smithsonian American Art Museum,Gift of Donald Vogler 1981.128.13.
Theresa Bernstein and William Meyerowitz, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0105686
Theresa Bernstein, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0105687
Theresa Bernstein, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0063639
Luce Artist Biography
Theresa Bernstein found early recognition for her art in her hometown of Philadelphia, Pennsylvania, when she received a scholarship to the Philadelphia School of Design for Women (now Moore College of Art and Design). Her studies continued when she moved to New York in 1912 to attend the Art Students League. There she befriended and worked with important American artists such as William Merritt Chase, Robert Henri, and later John Sloan, Stuart Davis, and Edward Hopper. Bernstein and her husband, artist William Meyerowitz, lived near Times Square and Central Park, allowing her to capture scenes of urban life, includng parades, parks, and concerts. She matched the vitality of her subjects with large, sweeping brushstrokes and bold colors.
Bernstein and Meyerowitz often summered in Gloucester, Massachusetts, where she completed many of her beach and harbor scenes. It was important to Bernstein that she always maintain a contemporary approach to her work, which she continued for nearly one hundred years until her death in 2002.
Realist painter in the traditions of the Ashcan and New York Realism Schools, wife of William Meyerowitz. Her favorite themes included parades, beach scenes, music and the theater, as well as women at leisure and in the workplace. In the 1920s, her sensitive and sympathetic depictions of everyday life brought her critical acclaim that declined as she turned her attention to promoting her husband's work and as Abstract Expressionism gained momentum.
Joan Stahl American Artists in Photographic Portraits from the Peter A. Juley & Son Collection (Washington, D.C. and Mineola, New York: National Museum of American Art and Dover Publications, Inc., 1995)