Kovno, Lithuania 1898
New York, New York 1969
- Roosevelt, New Jersey
Ben Shahn, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0002173
Luce Artist Quote
“From the moment at which a painter begins to strike figures of color upon a surface he must become acutely sensitive to the feel, the textures, the light, the relationships which arise before him.” Shahn, The Biography of a Painting, 1966
Ben Shahn immigrated to the United States as a child and was apprenticed to a lithographer after finishing elementary school. In the 1920s, he studied at New York University and City College, and very briefly at the National Academy of Design. Shahn's first major success came with the 1932 exhibition of his series The Passion of Sacco and Vanzetti. Shahn once said that he paints two things, "what I love and what I abhor," and during the Depression years his scenes of children playing in concrete urban parks, and of miners and construction workers engaged in their trades, reflect his admiration for the working American and his abhorrence of injustice and oppression. Throughout the 1930s Shahn worked for various government programs, and when the United States entered World War II, he joined the Graphic Arts Division of the Office of War Information, although only two of the many posters he designed were published. In the 1940s, Shahn turned to what he called personal realism." His late work is often symbolic, allegorical, or religious and reflects his belief that "if we are to have values, a spiritual life, a culture, these things must find their imagery and their interpretation through the arts."
Virginia M. Mecklenburg Modern American Realism: The Sara Roby Foundation Collection (Washington, D.C.: Smithsonian Institution Press for the National Museum of American Art, 1987)
Born in Lithuania, Ben Shahn immigrated to the United States in 1906. In his early teens he was apprenticed to a lithographer, but went on to study biology at New York University. Shahn later changed course, studying at the Art Students League and, in 1925, at the Académie de la Grande Chaumière in Paris. Returning to the United States in 1929, he worked as a photographer for the Farm Security Administration from 1935 to 1938. Over the years, Shahn experimented with silkscreening and created magazine illustrations and advertisements.
During his lithography apprenticeship Shahn grew to appreciate the relationships of lettering. "I enjoyed a year or so of complete infatuation with type," he stated. "I set everything that I could in types with which I was beginning to be familiar; I did posters all in type—a strange turn for an artist—or posters in which type boldly predominated." Shahn designed posters for the Office of War Information in 1942 and for other government departments from 1944 to 1946.
Shahn was a teacher and lecturer at many institutions, ranging from the Universities of Colorado and Wisconsin to Black Mountain College and Harvard University. Named one of the ten best American painters by Look magazine in 1948, he had many solo exhibitions during his career.
Therese Thau Heyman Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998)
- Modern American Realism
- Modern American Realism
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- SPIRITUAL EXPRESSIONS
- Ralph Fasanella: Lest We Forget, by Leslie Umberger