Ernest L. Blumenschein
Also Known as: Ernest Leonard Blumenschein, Ernest Blumenschein
Pittsburgh, Pennsylvania 1874
Albuquerque, New Mexico 1960
- Taos, New Mexico
Ernest L. Blumenschein seated in front of The Extraordinary Affray, Peter A. Juley & Son Collection, Smithsonian American Art Museum J0001214
Luce Artist Quote
“Blood is the thickest tie and we love our Americans and the ugly U.S.A. It’s big and grand and inspiring in many ways. And the people are too! We can’t have what Europe has, we don’t want it.” Ernest Blumenschein, quoted in Henning, ed., Ernest L. Blumenschein Retrospective, 1978
Painter and one of the founders of the Taos Society of Artists in Taos, N. M. For many years he divided his time between New York City—where he worked as an illustrator and taught at the Art Students League—and Taos, finally moving to the West in 1919. His landscapes often depicted Native-American and Mexican-American subjects.
Joan Stahl American Artists in Photographic Portraits from the Peter A. Juley & Son Collection (Washington, D.C. and Mineola, New York: National Museum of American Art and Dover Publications, Inc., 1995)
Painter. Born in Pittsburgh and raised in Dayton, Ohio, Blumenschein was offered a scholarship to study violin at the Cincinnati Conservatory when he was seventeen. After a year of music training, however, he chose to follow his interest in art. He studied first at the Cincinnati Art Academy, then at the Art Students League in New York and the Académie Julian in Paris, where in 1895 he met Joseph Henry Sharp, who had already been to Taos, and Bert G. Phillips. On the advice of Sharp, Bumenschein and Phillips set out on a sketching trip to Taos in 1898. Blumenschein returned to Paris in 1899 and remained, with the exception of one trip home, until 1909. From 1910 until 1918, he spent summers in New Mexico and the rest of the year in New York, where he continued to work as an illustrator and to teach at the Art Students League. In 1915 he was a founding member of the Taos Society of Artists with Phillips, Sharp, Oscar E. Berninghaus, E. Irving Couse, and W. Herbert Dunton. His colleagues regarded him as the most accomplished painter of the group. After moving permanently to Taos in 1919, Blumenschein and his artist wife Mary contributed significantly to the development of the art community.
"Blumenschein Is Interviewed," pp. 84–86.
Henning. Ernest L. Blumenschein Retrospective.
Brown, Sherry. "Ernest L. Blumenschein, 1874–1960" Artists of the Rockies and the Golden West 9 (Spring 1982): 68–75.
Bickerstaff. Pioneer Artists of Taos, pp. 29–50.
Charles Eldredge, Julie Schimmel, and William H. Truettner Art in New Mexico, 1900–1945: Paths to Taos and Santa Fe (Washington, DC: National Museum of American Art, Smithsonian Institution, 1986)