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Quillan Lanier Meaders

Also Known as: Lanier Meaders

Born:
Mossy Creek, Georgia 1917

Died:
Mossy Creek, Georgia 1998

Active in:

  • Mossy Creek, Georgia

Luce Artist Quote

"I could no more stop this than I could fly an airplane. All of my movements, all of my work that I've done all of my life has led straight to this place right here . . . I'm about so deep in it now that I can't get away from it." Quillan Lanier Meaders, 1967, The Meaders Family, North Georgia Potters, Smithsonian Folklife Studies


Biography

Lanier Meaders continued the traditional ceramic craftsmanship in White County, Georgia, where stoneware was possibly in production as early as 1820. His grandfather, John Milton Meaders, opened the Meaders Pottery in 1893, employing his sons, Wiley, Caulder, Cleater, Cheever, and Casey, to assist hired local potters. Through these men the Meaders learned the basic techniques employed by Mossy Creek potters for over half a century—knowledge that passed to Lanier when his father, Cheever, took over the original family shop in 1920. By 1930, the Meaders were the last of the family potteries in Mossy Creek.

When a Doris Ullman photograph of Cheever and his family was published in Allen Eaton Handicrafts of the Southern Highlands in the late 1930s, the demand for Meaders stoneware significantly changed from utilitarian wares to whimsies such as face jugs. Lanier became a full-time potter after his father's death in 1967, initially producing an order of face jugs for the Smithsonian Institution's first Festival of American Folklife. Although he continues to make household stoneware, these face jugs are now his specialty.

Lynda Roscoe Hartigan Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art (Washington, D.C. and London: National Museum of American Art with the Smithsonian Institution Press, 1990)

Additional Biographies

Luce Artist Biography

Quillan Lanier Meaders grew up working with clay but didn't get the "bug" until he was fifty. He admitted to making "more than 1 and less than 50,000" face jugs during his career, using the same equipment, clay, and glazes as his father and grandfather before him (The News and Observer, North Carolina, 1993).