Untitled (man on horse with woman and dog)

Edward Mitchell Bannister, Untitled (man on horse with woman and dog), n.d., oil on canvas, Smithsonian American Art Museum, Gift of Eliot and Rhoda Liffland, 1983.95.123
Edward Mitchell Bannister, Untitled (man on horse with woman and dog), n.d., oil on canvas, 21 1228 34 in. (54.573.1 cm.), Smithsonian American Art Museum, Gift of Eliot and Rhoda Liffland, 1983.95.123
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Artwork Details

Title
Untitled (man on horse with woman and dog)
Date
n.d.
Location
Not on view
Dimensions
21 1228 34 in. (54.573.1 cm.)
Credit Line
Gift of Eliot and Rhoda Liffland
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Figure group
  • Animal — dog
  • Animal — horse
  • Landscape — forest
  • Landscape — road — path
Object Number
1983.95.123

Artwork Description

Light played a prominent role in many of Edward Bannister's works, reflecting a deep Christian faith that sustained him throughout his life. He found comfort in his long walks in the country in search of views that would make good paintings. His desire to capture God's presence in nature was shared by numerous nineteenth-century landscape artists, who followed the advice of America's first great landscape painter, Thomas Cole, to be more than "mere leaf painters." In this painting, a small patch of sunlight falls directly on the couple and their horse, who appear dwarfed by the dramatic scale of the trees and clouds behind them.

Works by this artist (122 items)

Edward Mitchell Bannister, Driving Home the Cows, 1881, oil on canvas, Smithsonian American Art Museum, Gift of G. William Miller, 1983.95.58
Driving Home the Cows
Date1881
oil on canvas
On view
Edward Mitchell Bannister, Train, ca. 1875-1880, oil on canvas, Smithsonian American Art Museum, Gift of Frederick and Joan Slatsky, 1983.95.107
Train
Dateca. 1875-1880
oil on canvas
On view
Edward Mitchell Bannister, Woman Walking down Path, 1882, oil on canvas, Smithsonian American Art Museum, Gift of Joseph Sinclair, 1983.95.156
Woman Walking down Path
Date1882
oil on canvas
On view

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