Untitled (man with cows grazing near pond with house and trees in background)

Edward Mitchell Bannister, Untitled (man with cows grazing near pond with house and trees in background), n.d., oil on canvas, Smithsonian American Art Museum, Gift of Dr. Charles Mandell, 1983.95.80
Edward Mitchell Bannister, Untitled (man with cows grazing near pond with house and trees in background), n.d., oil on canvas, 12 1⁄8 x 19 3⁄8 in. (30.8 x 49.3 cm.), Smithsonian American Art Museum, Gift of Dr. Charles Mandell, 1983.95.80
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Artwork Details

Title
Untitled (man with cows grazing near pond with house and trees in background)
Artist
Date
n.d.
Location
Not on view
Dimensions
12 1⁄8 x 19 3⁄8 in. (30.8 x 49.3 cm.)
Credit Line
Gift of Dr. Charles Mandell
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Animal — cattle
  • Landscape — lake
  • Architecture — domestic — house
  • Figure male
Object Number
1983.95.80
Linked Open Data
https://edan.si.edu/saam/id/object/1983.95.80

Works by this artist (3 items)

George N. Barnard, U.S.M. Bridge, Chattanooga, ca. 1860-1865, albumen silver print, Smithsonian American Art Museum, Museum purchase, 1974.30.1
U.S.M. Bridge, Chattanooga
Artist
Dateca. 1860-1865
albumen silver print
Not on view
George N. Barnard, The "Hell Hole", New Hope Church, Georgia, from Photographic Views of Sherman's Campaign, plate 27, ca. 1866, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.7
The ​“Hell Hole”, New Hope Church, Georgia, from…
Artist
Dateca. 1866
albumen silver print
Not on view
George N. Barnard, Bonaventure, Savannah, Georgia, ca. 1866, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.6
Bonaventure, Savannah, Georgia
Artist
Dateca. 1866
albumen silver print
Not on view

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