Booker T. Washington Legend

William H. Johnson, Booker T. Washington Legend, ca. 1944-1945, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.664
William H. Johnson, Booker T. Washington Legend, ca. 1944-1945, oil on plywood, 32 5825 14 in. (82.964.1 cm.), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.664

Artwork Details

Title
Booker T. Washington Legend
Date
ca. 1944-1945
Location
Not on view
Dimensions
32 5825 14 in. (82.964.1 cm.)
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
oil on plywood
Classifications
Subjects
  • Portrait male — Washington, Booker T.
  • Occupation — education — student
  • African American
  • Figure group
Object Number
1967.59.664

Artwork Description

Johnson presents a formally dressed Booker T. Washington (1856--1915) addressing a coeducational class of Black students. He is framed by a blackboard on which a saw, trowel, and hammer represent the building trades. A rake, shovels, and other farm implements attest to Tuskegee's importance as a center for agricultural research. (Washington hired George Washington Carver to run the agriculture program in 1896.) Opposite, an artist's palette, an inkwell, and musical instruments symbolize the liberal arts. 

For Washington, education was crucial to the economic and social advancement of African Americans. In his autobiography Up from Slavery, he told of his early years on a Virginia tobacco plantation and his adolescence working in a West Virginia coal mine. Only after his four-to-nine a.m. shift was over was he allowed to go to school. Determined to get a formal education, Washington walked five hundred miles to Hampton Institute (now Hampton University), where he proved to be a star student. Seven years later, he was invited to teach at Hampton. In 1881 he launched the Tuskegee Normal and Agricultural Institute in Alabama.

Works by this artist (731 items)

Joseph Cornell, Untitled (Juan Gris drawing), late 1960s, collage on masonite, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 2002.58.20
Untitled (Juan Gris drawing)
Datelate 1960s
collage on masonite
Not on view
Joseph Cornell, Untitled (Rorschach drawing), n.d., drawing, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.408
Untitled (Rorschach drawing)
Daten.d.
drawing
Not on view
Joseph Cornell, Untitled (white cockatoo and other birds), 1969-1971, collage, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.297
Untitled (white cockatoo and other birds)
Date1969-1971
collage
Not on view

Exhibitions

Media - 1967.59.1146 - SAAM-1967.59.1146_2 - 141130
Fighters for Freedom: William H. Johnson Picturing Justice
March 8, 2024September 10, 2024
William H. Johnson's Fighters for Freedom series from the mid-1940s is a tribute to African American activists, scientists, teachers, and performers as well as international leaders working to bring peace to the world.

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John Safer, Chandelle, 1969, revised 2013, Lucite, Smithsonian American Art Museum, Gift of the artist, 2007.23
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Joseph Cornell, Untitled (Shell), early 1930s, mixed media: paperboard, paper, shells, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1985.64.37
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Emery Blagdon, The Healing Machine, ca. 1955-1986, mixed media, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and gift of Dan Dryden, friend of Emery Blagdon, the Kohler Foundation, Inc., and John E. and Douglas O. Robson, from the Margaret Z. Robson Collection, VR.2014.49.GRP
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mixed media
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