Street Life, Harlem

William H. Johnson, Street Life, Harlem, ca. 1939-1940, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.674
William H. Johnson, Street Life, Harlem, ca. 1939-1940, oil on plywood, 45 5838 58 in. (116.098.0 cm), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.674

Artwork Details

Title
Street Life, Harlem
Date
ca. 1939-1940
Location
Not on view
Dimensions
45 5838 58 in. (116.098.0 cm)
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
oil on plywood
Classifications
Subjects
  • Cityscape — celestial — moon
  • Cityscape — New York — Harlem
  • Figure group
  • Architecture Exterior — commercial
  • Cityscape — New York — New York
  • Cityscape — street
  • African American
Object Number
1967.59.674

Artwork Description

The New York Amsterdam News reported in 1939 on the crowds gathering at the Savoy Ballroom in Harlem. The reporter described the "cock-eyed hats, perched at crazy angles on . . . shiny hair" and skirts "a tantalizing fraction of an inch below their knees" (Powell, Homecoming: The Art and Life of William H. Johnson, 1991). In Street Life, Harlem, William H. Johnson portrayed an elegant couple dressed "to the nines" for an evening on the town. Style, as much as skin color, was a mark of pride among many African Americans who had come of age during the Harlem Renaissance, but the flamboyant appearance of zoot-suiters inflamed racial tensions long after swing music and the jitterbug had been absorbed into American popular culture.

Works by this artist (3 items)

John William ("Uncle Jack") Dey, Adam and Eve Leave Eden, 1973, model airplane enamel on fiberboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.107
Adam and Eve Leave Eden
Date1973
model airplane enamel on fiberboard
On view
John William ("Uncle Jack") Dey, Acupuncture Pitchfork Style, ca. 1974, model airplane enamel on wood, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.12
Acupuncture Pitchfork Style
Dateca. 1974
model airplane enamel on wood
Not on view

More Artworks from the Collection

Howard Finster, THE LORD WILL DELIVER HIS PEOPLE ACROSS JORDAN, 1976, enamel on fiberboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1988.74.6
THE LORD WILL DELIVER HIS PEOPLE ACROSS JORDAN
Date1976
enamel on fiberboard
On view
Howard Finster, Bible Flying (#1805), 1980, enamel on wood, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.16
Bible Flying (#1805)
Date1980
enamel on wood
On view
Howard Finster, THER SHALL BE EARTH qUAKES, 1976, enamel on fiberboard, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1988.74.8
THER SHALL BE EARTH qUAKES
Date1976
enamel on fiberboard
On view
Herbert Waide Hemphill, Jr., Portrait of Hermine Katz, Atlantic City, 1949, enamel paint on board, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr., 1998.84.19
Portrait of Hermine Katz, Atlantic City
Date1949
enamel paint on board
Not on view