Toussaint l’Ouverture, Haiti

William H. Johnson, Toussaint l'Ouverture, Haiti, ca. 1945, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1154
William H. Johnson, Toussaint l'Ouverture, Haiti, ca. 1945, oil on paperboard, 38 1430 18 in. (97.276.4 cm.), Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1154

Artwork Details

Title
Toussaint l’Ouverture, Haiti
Date
ca. 1945
Location
Not on view
Dimensions
38 1430 18 in. (97.276.4 cm.)
Credit Line
Gift of the Harmon Foundation
Mediums
Mediums Description
oil on paperboard
Classifications
Subjects
  • Dress — uniform — military uniform
  • Haitian
  • Portrait male — L’Ouverture, Toussaint
  • History — Haiti
Object Number
1967.59.1154

Artwork Description

Johnson presented Haitian revolutionary leader Toussaint l'Ouverture (1743--1803) as both statesman and general. Wearing an elegant uniform, he carries a sword and holds official papers. As an early martyr in the fight against slavery across the Americas, l'Ouverture has long been a lodestar for those fighting for independence against oppression. 

Johnson marked important moments in l'Ouverture's rise to power, from his involvement in the 1791 Haitian slave rebellion in which white landowners were slain, to his emergence as a skilled soldier and leader of troops. Three years later, when France granted citizenship rights and freedom to Haitian Blacks, the politically powerful l'Ouverture took over as governor. He drew up a constitution (the papers in his right hand) that abolished slavery. For the next seven years the former slave governed as though Haiti were no longer a French colony. His independence provoked the ire of Napoleon Bonaparte, who sent troops to capture the upstart governor and reinstate slavery. L'Ouverture died in a French prison, but one of his generals continued the fight against French occupation and led the country to independence in 1802. Johnson celebrated l'Ouverture, and by extension the Republic of Haiti, which became the first country in the Americas to outlaw slavery and the second (after the United States) to declare itself free of colonial rule. 

Works by this artist (88 items)

Thomas Moran, The Grand Canyon of the Yellowstone, 1893-1901, oil on canvas, Smithsonian American Art Museum, Gift of George D. Pratt, 1928.7.1
The Grand Canyon of the Yellowstone
Date1893-1901
oil on canvas
On view
Thomas Moran, A Mexican Hacienda, Lake Cuitzeo, 1885, oil on wood, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1968.120.2
A Mexican Hacienda, Lake Cuitzeo
Date1885
oil on wood
On view
Thomas Moran, Fort George Island, Florida, 1878, oil on canvas, Smithsonian American Art Museum, Gift of Neil M. Judd, 1970.73
Fort George Island, Florida
Date1878
oil on canvas
On view

Exhibitions

Media - 1967.59.1146 - SAAM-1967.59.1146_2 - 141130
Fighters for Freedom: William H. Johnson Picturing Justice
March 8, 2024September 10, 2024
William H. Johnson's Fighters for Freedom series from the mid-1940s is a tribute to African American activists, scientists, teachers, and performers as well as international leaders working to bring peace to the world.

More Artworks from the Collection

William H. Johnson, Portrait of a Woman in Profile, ca. 1944, recto: pen and ink and pencil on paper
verso: pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.485R-V
Portrait of a Woman in Profile
Dateca. 1944
recto: pen and ink and pencil on paper verso: pen and ink on paper
Not on view
Joseph Cornell, "D" in Descartes, 1971, collage with ink, pencil and stamps on paperboard, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.362
D” in Descartes
Date1971
collage with ink, pencil and stamps on paperboard
Not on view
Harold Tovish, Particles II, 1971, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.64
Particles II
Date1971
pen and ink and pencil on paper
Not on view
Philip Guston, Head of a Woman, 1931, pen and ink, conte crayon, and pencil on paper, Smithsonian American Art Museum, Museum purchase through the Director's Discretionary Fund, 1987.2
Head of a Woman
Date1931
pen and ink, conte crayon, and pencil on paper
Not on view