Hereby it is manifest that during the time men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man. For war consisteth not in battle only, or the act of 

Leon Karp, "Hereby it is manifest that during the time men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man. For war consisteth not in battle only, or the act of fighting, but in a tract of time, wherein the will to contend by battle is sufficiently known: and therefore the notion of time is to be considered in the nature of war, as it is in the nature of weather. For as the nature of foul weather lieth not in a shower or two of rain, but in an inclination thereto of many days together: so the nature of war consisteth not in actual fighting, but in the known disposition thereto during all the time there is no assurance to the contrary. All other time is peace."--Thomas Hobbs, Leviathan, 85. From the series Great Ideas of Western Man., 1951, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.138
Leon Karp, "Hereby it is manifest that during the time men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man. For war consisteth not in battle only, or the act of , 1951, oil on canvas mounted on fiberboard, 30 3824 14 in. (77.261.6 cm.), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.138

Artwork Details

Title
Hereby it is manifest that during the time men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man. For war consisteth not in battle only, or the act of fighting, but in a tract of time, wherein the will to contend by battle is sufficiently known: and therefore the notion of time is to be considered in the nature of war, as it is in the nature of weather. For as the nature of foul weather lieth not in a shower or two of rain, but in an inclination thereto of many days together: so the nature of war consisteth not in actual fighting, but in the known disposition thereto during all the time there is no assurance to the contrary. All other time is peace.” – Thomas Hobbs, Leviathan, 85. From the series Great Ideas of Western Man.
Artist
Date
1951
Location
Not on view
Dimensions
30 3824 14 in. (77.261.6 cm.)
Credit Line
Gift of Container Corporation of America
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Subjects
  • Landscape — town
  • Allegory — civic — peace
  • Dress — uniform — military uniform
  • Animal — bird — dove
  • Dress — costume — mask
Object Number
1984.124.138

Works by this artist (27 items)

Max Weber, Summer, 1909, oil on canvas, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1993.7
Summer
Date1909
oil on canvas
On view
Max Weber, Reclining Nude--Abstract, n.d., charcoal on paper, Smithsonian American Art Museum, Gift of Joy S. Weber, 1997.44.2
Reclining Nude – Abstract
Daten.d.
charcoal on paper
Not on view
Max Weber, Standing Nude, 1919-1920, color woodcut on paper, Smithsonian American Art Museum, Given in memory of Daryl R. Rubenstein by the Washington Print Club and Individual Club Members, 1981.95
Standing Nude
Date1919-1920
color woodcut on paper
Not on view
Max Weber, Standing Female Figure, 1951-1952, woodcut on paper, Smithsonian American Art Museum, Museum purchase, 1969.94
Standing Female Figure
Date1951-1952
woodcut on paper
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view