Mrs. John Quincy Adams

Charles Bird King, Mrs. John Quincy Adams, ca. 1824, oil on canvas, Smithsonian American Art Museum, Adams-Clement Collection, gift of Mary Louisa Adams Clement in memory of her mother, Louisa Catherine Adams Clement, 1950.6.5
Charles Bird King, Mrs. John Quincy Adams, ca. 1824, oil on canvas, 51 1239 58 in. (130.8100.6 cm.), Smithsonian American Art Museum, Adams-Clement Collection, gift of Mary Louisa Adams Clement in memory of her mother, Louisa Catherine Adams Clement, 1950.6.5
Free to use

Artwork Details

Title
Mrs. John Quincy Adams
Date
ca. 1824
Location
Not on view
Dimensions
51 1239 58 in. (130.8100.6 cm.)
Credit Line
Adams-Clement Collection, gift of Mary Louisa Adams Clement in memory of her mother, Louisa Catherine Adams Clement
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — water
  • Performing arts — music — harp
Object Number
1950.6.5

Artwork Description

Louisa Catherine Johnson was born in England to an American father and British mother. Her father was the first American consul in England after the Revolutionary War, and the elegant Johnson household was a gathering spot for prominent Americans passing through London. John Quincy Adams visited the Johnsons while serving as American minister to Holland. He fell in love with Louisa, and proposed to the twenty-two-year-old beauty only four months after they met. The couple married in 1797 in London. Here, Louisa is shown about thirty years later, around the time her husband took office as president. She is elegantly dressed and plays the harp, an emblem of her musical ability and refinement. The title of the music score reads “Oh! Say Not Woman’s Heart Is Bought,” and Charles Bird King, with his characteristic attention to detail, copied the lettering as it appeared on the sheet music.

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Ferry Boat Trip, ca. 1943-1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1011
Ferry Boat Trip
Dateca. 1943-1944
oil on paperboard
On view
William H. Johnson, Midnight Sun, Lofoten, 1937, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.907
Midnight Sun, Lofoten
Date1937
oil on burlap
On view

More Artworks from the Collection

William H. Johnson, Seated Female Nude With Black Background, ca. 1939-1940, tempera on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.219
Seated Female Nude With Black Background
Dateca. 1939-1940
tempera on paper
Not on view
William H. Johnson, Standing Female Nude with Red Hair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.186
Standing Female Nude with Red Hair
Dateca. 1939-1940
tempera on paperboard
Not on view
William H. Johnson, Bearded Man in Yellow Chair, ca. 1939-1940, tempera on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.276
Bearded Man in Yellow Chair
Dateca. 1939-1940
tempera on paperboard
Not on view
Arnold Blanch, Harvest Scene (mural study, Fredonia, New York Post Office), ca. 1937, tempera on illustration board, Smithsonian American Art Museum, Transfer from the Internal Revenue Service through the General Services Administration
, 1962.8.28
Harvest Scene (mural study, Fredonia, New York Post Office)
Dateca. 1937
tempera on illustration board
Not on view