Larger Type
Smaller Type

Search Collections

Banquet

1961 Ibram Lassaw Born: Alexandria, Egypt 1913 Died: East Hampton, New York 2003 bronze 32 x 38 x 25 in. (81.2 x 96.4 x 63.5 cm.) Smithsonian American Art Museum Gift of Harold Tager, Jr. 1975.48 Not currently on view


Luce Center Quote

"Banquet is one of my most original sculptures—peculiar to me and the style I am known best for—it really is me at my best." Ibram Lassaw, interview with Glenn Randall

Exhibition Label

Banquet is built up of thousands of droplets of metal melted over thin rods that are joined by crumpled sheets of copper. The subtle variations in color come from alloys (phosphor bronze, silicon bronze, nickel-silver) and other metals that Lassaw treated with chemicals. The nubbly surface records a process of accretion that resembles stalagmites in underground caves or underwater coral structures that grow over time. Banquet reflects Lassaw’s belief that the universe is holistic—that cosmic and microcosmic, spirit and substance are one.

Modern Masters: Midcentury Abstraction from the Smithsonian American Art Museum, 2008

 

Luce Center Label

Ibram Lassaw's sculptures resembling spiny sea forms were inspired by coral reefs, which he saw as "living sculptures." To create Banquet, he painstakingly added one drop of melted bronze to another, mimicking the natural growth of the coral. He then added different chemical patinas to give the work a variety of colors that evoke an underwater environment. Lassaw thought this piece "peculiar" because he normally created entirely abstract constructions that did not resemble anything. In the early 1960s, however, he started creating more representational works in response to the declining popularity of his work. (Ibram Lassaw Papers, Archives of American Art, Smithsonian Institution; Lassaw, "Perspectives and Reflections of a Sculptor: A Memoir," Leonardo, January 1968)

Keywords

Abstract

sculpture

metal - bronze

About Ibram Lassaw

Born: Alexandria, Egypt 1913 Died: East Hampton, New York 2003

More works in the collection by
Ibram Lassaw