Owl (#1)

Paul Manship, Angelo Colombo, Owl (#1), 1932, gilded bronze, 9 143 in. (23.47.7 cm), Smithsonian American Art Museum, Gift of the artist, 1965.16.10, © 1932, Paul Manship

Artwork Details

Title
Owl (#1)
Date
1932
Location
Not on view
Dimensions
9 143 in. (23.47.7 cm)
Copyright
© 1932, Paul Manship
Credit Line
Gift of the artist
Mediums
Mediums Description
gilded bronze
Classifications
Subjects
  • Animal — bird — owl
Object Number
1965.16.10

Artwork Description

Paul Manship’s large figural groups are idealized and refer to mythic characters and stories. The artist used the same stylization in his animal sculptures as in his figural groups, but to different effect. In an intimate scale, this stylization accentuates the decorative quality of each animal. By exaggerating certain features or expressions, Manship also lets a little bit of their personalities peek through. This is especially visible in his gilded works, where the gold patina highlights the contours of the animal’s forms and their precise surface details. Many of Manship’s animal sculptures were originally created as part of his design for the gates of New York’s Bronx Zoo.

Works by this artist (3 items)

George N. Barnard, U.S.M. Bridge, Chattanooga, ca. 1860-1865, albumen silver print, Smithsonian American Art Museum, Museum purchase, 1974.30.1
U.S.M. Bridge, Chattanooga
Dateca. 1860-1865
albumen silver print
Not on view
George N. Barnard, The "Hell Hole", New Hope Church, Georgia, from Photographic Views of Sherman's Campaign, plate 27, ca. 1866, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.7
The Hell Hole”, New Hope Church, Georgia, from…
Dateca. 1866
albumen silver print
Not on view
George N. Barnard, Bonaventure, Savannah, Georgia, ca. 1866, albumen silver print, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.6
Bonaventure, Savannah, Georgia
Dateca. 1866
albumen silver print
Not on view

More Artworks from the Collection

Angelo Colombo, Paul Manship, Pelican, 1932, gilded bronze on lapis lazuli base, Smithsonian American Art Museum, Gift of the artist, 1965.16.7
Pelican
Date1932
gilded bronze on lapis lazuli base
On view
Angelo Colombo, Paul Manship, King Penguin, 1932, gilded bronze on lapis lazuli base, Smithsonian American Art Museum, Gift of the artist, 1965.16.8
King Penguin
Date1932
gilded bronze on lapis lazuli base
On view
Angelo Colombo, Paul Manship, Shoebill Stork, 1932, gilded bronze on lapis lazuli base, Smithsonian American Art Museum, Gift of the artist, 1965.16.1
Shoebill Stork
Date1932
gilded bronze on lapis lazuli base
Not on view
Angelo Colombo, Paul Manship, Goliath Heron, 1932, gilded bronze on lapis lazuli base, Smithsonian American Art Museum, Gift of the artist, 1965.16.9
Goliath Heron
Date1932
gilded bronze on lapis lazuli base
On view