United States of America – Bronze Cross

Paul Manship, United States of America--Bronze Cross, n.d., bronze, 6 145 14 in. (15.913.3 cm.), Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.142

Artwork Details

Title
United States of America – Bronze Cross
Artist
Date
n.d.
Location
Not on view
Dimensions
6 145 14 in. (15.913.3 cm.)
Credit Line
Bequest of Paul Manship
Mediums
Mediums Description
bronze
Classifications
Subjects
  • Allegory — religion
  • Allegory — place — America
Object Number
1966.47.142

Artwork Description

Research has not revealed the purpose for which Paul Manship designed this cross, although the design is very similar to the Navy Cross created by James Earle Fraser after World War I. The trident on the reverse appears as well in Manship’s design for the Navy’s Distinguished Service Medal (see 1965.16.97), created in 1919. The Medal of Honor, the Cross, and the Distinguished Service Medal are the highest awards earned in the United States Navy.

Works by this artist (6 items)

George Segal, The Restaurant, 1975, brush and ink, pen and ink, oil wash, gouache, charcoal and collage: photograph on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.56
The Restaurant
Date1975
brush and ink, pen and ink, oil wash, gouache, charcoal and collage: photograph on paper
Not on view
George Segal, Untitled--Figure with White Chair, 1970, screenprint on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.55
Untitled – Figure with White Chair
Date1970
screenprint on paper
Not on view
George Segal, The Curtain, 1974, mixed media: plaster, glass and painted wood, Smithsonian American Art Museum, Museum purchase, 1978.62, (c) 1978, George Segal
The Curtain
Date1974
mixed media: plaster, glass and painted wood
Not on view
George Segal, Untitled--Red Chair and Radiator, 1970, screenprint on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.54
Untitled – Red Chair and Radiator
Date1970
screenprint on paper
Not on view

More Artworks from the Collection

Unidentified, HEREIN LIES WHAT THE MOUNTAIN-LIONS LEFT OF MUCHABONGO. GONE TO THE HAPPY HUNTING GROUNDS, WHERE GAME IS EVER PLENTIFUL, AND THE WHITE MAN NEVER INTRUDES., early 20th century, carved and painted wood and plaster, synthetic fiber and buttons, wool cotton, feathers, and shell, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.313A-B
HEREIN LIES WHAT THE MOUNTAIN-LIONS LEFT OF MUCHABONGO…
Artist
Unidentified
Dateearly 20th century
carved and painted wood and plaster, synthetic fiber and buttons, wool cotton, feathers, and shell
Not on view