Il Penseroso

Joseph Mozier, Il Penseroso, 1866, marble, 68 31421 1422 14 in. (173.454.056.5 cm), Smithsonian American Art Museum, Transfer from the U.S. Capitol, XX75
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Artwork Details

Title
Il Penseroso
Date
1866
Dimensions
68 31421 1422 14 in. (173.454.056.5 cm)
Credit Line
Transfer from the U.S. Capitol
Mediums
Mediums Description
marble
Classifications
Subjects
  • Literature — Milton — Penserosoo
  • Figure female — full length
  • Dress — historic — classical dress
  • State of being — mood — meditation
Object Number
XX75

Artwork Description

Joseph Moziers sculpture is based on the allegorical figure of Melancholy from John Milton's 1632 poem Il Penseroso. Milton's central character, the Thinker, embodies both the black melancholy that afflicts its victims with depression and the golden melancholy that inspires poets. Melancholy is both male and female, dark and light. Mozier's mentor, the American sculptor Hiram Powers, had changed the allegorical figures gender for a statue titled La Penserosa, and the younger man modeled his work after Powers's version. Research has not determined why he gave this work the male title. Mozier's figure wears classical robes symbolizing the brighter muse of melancholy, whose gifts inspired the poets of Greece and Rome. She keeps her wonted state, gazing to the skies rather than looking to the corrupt earth with leaden downward cast.

Works by this artist (3 items)

Arthur Kerrick, Wood Stop on Yukon River, 1937, tempera on paperboard, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior through the General Services Administration, 1972.43
Wood Stop on Yukon River
Date1937
tempera on paperboard
Not on view
Arthur Kerrick, Long's Coulee, 1936, watercolor on illustration board, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.198
Long’s Coulee
Date1936
watercolor on illustration board
Not on view

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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
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Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
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