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Neither the cold of winter nor the gloom of the Great Depression kept the children of New York City from enjoying Central Park, the city’s greatest green space. Artist Carl Nelson had almost as much fun as the children, drawing by the hour despite the chill of February 1934. When his hands got cold, Nelson recalled, he "would go to the monkey house in the Central Park Zoo to warm up."

Nelson shows the park on a weekday afternoon when it is full of mothers taking their toddlers out to play while the older children are in school. The brightly colored coats worn by the children and their mothers evoke their innocent delight. The southern end of the park, near the elegant hotels in the background, was designed for children. They could romp on the playground, ride the carousel, or play games in the Children’s Cottage. A little girl in an orange coat has plenty of fun just feeding the squirrels. Nelson’s charming image does not include the grimmer reality farther north in Central Park, where homeless people squatted in a shantytown or "Hooverville" as they waited for better times.

1934: A New Deal for Artists exhibition label

Carl Gustaf Nelson painted Central Park while working for the Works Progress Administration. This New Deal program supported artists during the Great Depression, providing a small stipend and the opportunity to contribute to the nation's recovery. Nelson worked for the government project for five months, and the salary of twenty-five dollars a week helped him to make ends meet. The Smithsonian American Art Museum asked him to describe his experience painting this scene of young mothers in Central Park. "I did a number of drawings on the spot," he recalled, "and when my hands would get too cold (Feb.) I would go to the monkey house in Central Park Zoo to warm up. The painting of it I did in my studio on MacDougal Street." (Carl G. Nelson to Susanne Owens, April 25, 1982, American Art curatorial file)

For more information about this work visit the Luce Foundation Center.