Sketch for Machine Composition #2

I. Rice Pereira, Sketch for Machine Composition #2, ca. 1936, pencil and crayon on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.73
I. Rice Pereira, Sketch for Machine Composition #2, ca. 1936, pencil and crayon on paper, sheet: 17 1222 58 in. (44.557.5 cm), Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.73

Artwork Details

Title
Sketch for Machine Composition #2
Date
ca. 1936
Location
Not on view
Dimensions
sheet: 17 1222 58 in. (44.557.5 cm)
Credit Line
Gift of Patricia and Phillip Frost
Mediums
Mediums Description
pencil and crayon on paper
Classifications
Subjects
  • Architecture — machine
  • Study
  • Fantasy
Object Number
1986.92.73

Artwork Description

Sketch for Machine Composition #2 was inspired by the view from the artist’s studio window. “I used to look in at a power house on 16th Street where I was living, to get the feeling of power house; and then made my own.” Fascinated by their functional beauty, Pereira made machines the central focus of her work in the 1930s. In this study for a painting, she presents devices that appear to have been taken apart and reassembled into a fantastic, abstract creation. Although she appreciated the potential of mechanization to transform society, this drawing has menacing overtones that suggest ambivalence.

Graphic Masters II: Highlights from the Smithsonian American Art Museum, 2009

Works by this artist (7 items)

I. Rice Pereira, Roselit Day, 1953, oil on canvas, Smithsonian American Art Museum, Gift of Leslie Bokor, 1973.190
Roselit Day
Date1953
oil on canvas
On view
I. Rice Pereira, Heart of Flame, n.d., oil on canvas, Smithsonian American Art Museum, Gift of Max Robinson, 1981.184
Heart of Flame
Daten.d.
oil on canvas
Not on view
I. Rice Pereira, Untitled (Boats at Cape Cod), 1932, oil on canvas, Smithsonian American Art Museum, Gift of Djelloul Marbrook, 1988.80
Untitled (Boats at Cape Cod)
Date1932
oil on canvas
Not on view
I. Rice Pereira, Mecca, 1953, oil on canvas, Smithsonian American Art Museum, Gift of Leslie Dame, 1973.191
Mecca
Date1953
oil on canvas
Not on view

More Artworks from the Collection

Paul Wonner, Garden with a Swing, Davis, California, 1957, paint, pencil, and crayon, Smithsonian American Art Museum, Gift of the artist, 1998.17
Garden with a Swing, Davis, California
Date1957
paint, pencil, and crayon
Not on view
William Zorach, (Untitled) (study for relief panel, Second National Bank, Houston, Texas), ca. 1953-1954, crayon and pencil on paper, Smithsonian American Art Museum, Gift of Dahlov Ipcar and Tessim Zorach, 1968.154.452
(Untitled) (study for relief panel, Second National Bank,…
Dateca. 1953-1954
crayon and pencil on paper
Not on view
Henry Moore, Britain, from the United Nations Series, 1944, ink, watercolor, pencil, crayon, and gouache on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.219
Britain, from the United Nations Series
Date1944
ink, watercolor, pencil, crayon, and gouache on paper
Not on view
Elizabeth Layton, Censored, 1989, pencil and crayon on paper, Smithsonian American Art Museum, Gift of Donald Lambert in memory of Joshua C. Taylor, 1991.81, © 1989, Elizabeth Layton
Censored
Date1989
pencil and crayon on paper
Not on view