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Hope

modeled 1866 Hiram Powers Born: Woodstock, Vermont 1805 Died: Florence, Italy 1873 marble 28 1/2 x 19 1/2 x 11 3/4 in. (72.5 x 49.4 x 29.7 cm) Smithsonian American Art Museum Museum purchase in memory of Ralph Cross Johnson 1968.155.27 Smithsonian American Art Museum
Luce Foundation Center, 3rd Floor, 19A


Luce Center Quote

“Hope was the bud, Faith, the flower, Charity the fruit; and so he had tried to make his heads---Hope, cheerfully expectant, but not in possession; Faith, calmly assured, more rapt and exalted, having attained; Charity should be the diffusion of what Faith has acquired, and her figure would be still different.” Rev. Henry W. Bellows, 1869, in Richard P. Wunder, Hiram Powers, 1989-91

Luce Center Label

The three busts Hope, Faith, and Charity were commissioned by Marshall Woods, a prominent figure from Rhode Island. In 1852 he visited Hiram Powers’s studio and requested a pair of ideal sculptures. Powers did not act on this, however, and on a second trip to Florence fourteen years later Woods repeated his request. Powers persuaded him to commission three statues instead of two, of the Christian virtues faith, hope, and charity. All three figures have the same composed expression, but Powers created different emotions by altering the direction of each woman’s gaze: Hope looks to the side in anticipation, Faith lifts her head with confidence, and Charity stares straight ahead in contemplation.

Keywords

Allegory - quality - hope

Dress - historic - classical dress

sculpture

stone - marble