Death Mask of Hiram Powers

Thomas Ball, Joel Tanner Hart, Death Mask of Hiram Powers, 1873, plaster, 9 386 129 38 in. (23.816.623.8 cm.), Smithsonian American Art Museum, Museum purchase in memory of Ralph Cross Johnson, 1968.155.176
Free to use

Artwork Details

Title
Death Mask of Hiram Powers
Date
1873
Dimensions
9 386 129 38 in. (23.816.623.8 cm.)
Credit Line
Museum purchase in memory of Ralph Cross Johnson
Mediums
Mediums Description
plaster
Classifications
Subjects
  • Portrait male — Powers, Hiram — head
  • Portrait male — Powers, Hiram
  • State of being — death
Object Number
1968.155.176

Artwork Description

Hiram Powers was a gifted American sculptor who spent much of his life in Italy. His most famous work, Greek Slave, was the first fully nude life-size female sculpture put on public exhibition in the United States. Thomas Ball came to know Powers in Florence and the two developed a close friendship; the artist even had his villa built next to Powers’s home. Ball was deeply affected by the loss of his friend, whose death was due in part to silicosis, a lung condition he acquired from years of inhaling marble particles. He and Joel Tanner Hart, another American sculptor living in Italy, commemorated Powers’s life in poetry and by molding a death mask directly from his face. This tradition had become very popular by the nineteenth century. The artist carefully preserved his friend’s naturally calm expression, suggesting that he met death peacefully.

Works by this artist (1 item)

Joseph Hochfeld, Tunnel Construction, 1940, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.261
Tunnel Construction
Date1940
watercolor and pencil on paper
Not on view

More Artworks from the Collection

Unidentified, William H. Johnson, Seated Female Nude on Brown Chair, ca. 1939-1940, recto: tempera on paper
verso: tempera, charcoal, and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.254R-V
Seated Female Nude on Brown Chair
Artist
Dateca. 1939-1940
recto: tempera on paper verso: tempera, charcoal, and pencil on paper
Not on view
William H. Johnson, Standing Female Nude, ca. 1939-1940, recto: watercolor, tempera and pencil on paper
verso: charcoal on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.210R-V
Standing Female Nude
Dateca. 1939-1940
recto: watercolor, tempera and pencil on paper verso: charcoal on paper
Not on view
William H. Johnson, Male Nude on Yellow Stool, ca. 1939-1940, recto: tempera on paper
verso: pencil and charcoal on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.201R-V
Male Nude on Yellow Stool
Dateca. 1939-1940
recto: tempera on paper verso: pencil and charcoal on paper
Not on view