Why Don’t You Speak for Yourself, John?”

John Rogers, "Why Don't You Speak for Yourself, John?", patented 1885, painted plaster, Smithsonian American Art Museum, Gift of Genevieve Wisel in memory of Dan Wisel, 1975.73
John Rogers, "Why Don't You Speak for Yourself, John?", patented 1885, painted plaster, 21 3417 1212 34 in. (55.344.532.3 cm), Smithsonian American Art Museum, Gift of Genevieve Wisel in memory of Dan Wisel, 1975.73
Free to use

Artwork Details

Title
Why Don’t You Speak for Yourself, John?”
Artist
Date
patented 1885
Location
Not on view
Dimensions
21 3417 1212 34 in. (55.344.532.3 cm)
Credit Line
Gift of Genevieve Wisel in memory of Dan Wisel
Mediums
Mediums Description
painted plaster
Classifications
Subjects
  • Object — other — spinning wheel
  • Object — furniture — chair
  • Dress — historic — Puritan dress
  • Dress — accessory — hat
  • Occupation — domestic — sewing
  • Figure group
Object Number
1975.73

Artwork Description

This group illustrates a line from Henry Wadsworth Longfellow’s poem The Courtship of Miles Standish. In the poem, Captain Miles Standish asks his friend John Alden to propose to Priscilla on his behalf. John goes to visit Priscilla and does as requested, even though he is in love with her himself. This sculpture shows the moment when Priscilla guesses John’s true feelings and declares, “Why don’t you speak for yourself, John?”

Works by this artist (27 items)

John Rogers, Checkers up at the Farm, patented 1875, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.8
Checkers up at the Farm
Datepatented 1875
painted plaster
On view
John Rogers, The Wounded Scout, a Friend in the Swamp, patented 1864, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.5
The Wounded Scout, a Friend in the Swamp
Datepatented 1864
painted plaster
On view
John Rogers, The Council of War, modeled ca. 1873, painted plaster, Smithsonian American Art Museum, Museum purchase, 1967.114
The Council of War
Datemodeled ca. 1873
painted plaster
On view
John Rogers, Wounded to the Rear, One More Shot, patented 1865, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.6
Wounded to the Rear, One More Shot
Datepatented 1865
painted plaster
On view

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