Sag Harbor

Saul Steinberg, Sag Harbor, 1969, watercolor and rubber stamp and ink on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.99
Saul Steinberg, Sag Harbor, 1969, watercolor and rubber stamp and ink on paper, sheet: 3040 in. (76.2101.6 cm), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.99

Artwork Details

Title
Sag Harbor
Date
1969
Location
Not on view
Dimensions
sheet: 3040 in. (76.2101.6 cm)
Credit Line
Gift of the Sara Roby Foundation
Mediums
Mediums Description
watercolor and rubber stamp and ink on paper
Classifications
Subjects
  • Landscape — New York — Sag Harbor
Object Number
1986.6.99

Artwork Description

Although Saul Steinberg is best known as the New Yorker cartoonist whose fanciful people and animals captured the masquerades of modern life, he was also concerned with the impact of development of the land. Sag Harbor, named for a town on Long Island, offers two conflicting views. Five small images (Steinberg called them “Postcards”) of an empty plain contrast with a larger view of a built environment that bears no traces of nature. Between them is a handwritten script that presumably clarifies the message. But the ever-witty Steinberg confounds the explanation. The script as well as the “signature” and official-looking stamp are indecipherable.


Modern American Realism: The Sara Roby Foundation Collection, 2014

Works by this artist (40 items)

Saul Steinberg, Collection, 1971, mixed media on wood, Smithsonian American Art Museum, Gift of Mrs. Susan Morse Hilles, 1973.39A-M
Collection
Date1971
mixed media on wood
Not on view
Saul Steinberg, (Untitled), 1967, pen and ink on paper, Smithsonian American Art Museum, Gift of the artist, 1974.14.21
(Untitled)
Date1967
pen and ink on paper
Not on view
Saul Steinberg, (Untitled), 1967, pen and ink and stamped ink on paper, Smithsonian American Art Museum, Gift of the artist, 1974.14.12
(Untitled)
Date1967
pen and ink and stamped ink on paper
Not on view
Saul Steinberg, (Untitled), 1967, pencil and pen and ink on paper, Smithsonian American Art Museum, Gift of the artist, 1974.14.1
(Untitled)
Date1967
pencil and pen and ink on paper
Not on view

More Artworks from the Collection

Peter Minchell, THE ENEMY FLED SEEING JUDITH WITH THE HEAD of HOLOFERNES, 1973, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.183
THE ENEMY FLED SEEING JUDITH WITH THE HEAD of HOLOFERNES
Date1973
watercolor, pen and ink, and pencil on paper
Not on view
Unidentified (American), William H. Johnson, Lincoln at Gettysburg II, ca. 1939-1942, recto: gouache, watercolor and pen and ink with pencil on paper
verso: gouache and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.556R-V
Lincoln at Gettysburg II
Artist
Unidentified (American)
Dateca. 1939-1942
recto: gouache, watercolor and pen and ink with pencil on paper verso: gouache and pencil on paper
Not on view
Jennifer Bartlett, Study for Swimmers Atlanta: Whirlpool, 1979, watercolor, enamel, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1979.159.60
Study for Swimmers Atlanta: Whirlpool
Date1979
watercolor, enamel, pen and ink, and pencil on paper
Not on view
Boardman Robinson, Colorado, from the United States Series, ca. 1946-1949, watercolor, gouache, ink and brush, and pencil on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.251
Colorado, from the United States Series
Dateca. 1946-1949
watercolor, gouache, ink and brush, and pencil on paper mounted on paperboard
Not on view