Untitled (Embroidered Bedspread)

Marguerite Zorach, Untitled (Embroidered Bedspread), ca. 1918, linen fiber: tabby weave with plied wool yarn and chain stitch embroidery, Smithsonian American Art Museum, Gift of Helen Miller Obstler, 1985.52
Marguerite Zorach, Untitled (Embroidered Bedspread), ca. 1918, linen fiber: tabby weave with plied wool yarn and chain stitch embroidery, 102 1479 12 in. (259.6200.8 cm.), Smithsonian American Art Museum, Gift of Helen Miller Obstler, 1985.52

Artwork Details

Title
Untitled (Embroidered Bedspread)
Date
ca. 1918
Location
Not on view
Dimensions
102 1479 12 in. (259.6200.8 cm.)
Credit Line
Gift of Helen Miller Obstler
Mediums
Mediums Description
linen fiber: tabby weave with plied wool yarn and chain stitch embroidery
Classifications
Subjects
  • Animal — cattle
  • Animal — horse
  • Figure group — nude
  • Animal — elephant
Object Number
1985.52

Artwork Description

They [the embroideries] are like symphonies that move and develop and change and contain a lifetime of growth, of power, and tenderness; of sharp contrasts and delicate nuances.
--Marguerite Zorach

Here Marguerite Zorach used delicately colored threads to illustrate an intricate motif depicting personal familial scenes based on her own life. She holds her baby daughter Dahlov at lower left. Within the bottom right scene, she depicts her baby son Tessim with Dahlov as a child. She created this work at the request of Mrs. Nathan J. Miller, who let Zorach choose the themes and imagery. Zorach's many sales, like this one, helped support her young family and even allowed them to purchase a summer home in Maine in 1923.
Zorach began experimenting with embroidery after her travels abroad as a young artist. Influenced by the avant-garde artists she met in Paris and their exploration of color, she found paint's colors to be tired and dull. Wool, in contrast, was a new world of brilliant colors with more possibilities--the artist would search through her collection of wools to find the perfect hue.

Works by this artist (13 items)

Charles Willson Peale, Mrs. James Smith and Grandson, 1776, oil on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. Wilson Levering Smith, Jr. and museum purchase, 1980.93
Mrs. James Smith and Grandson
Date1776
oil on canvas
On view
Charles Willson Peale, Colonel John Cox, 1778, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.32
Colonel John Cox
Date1778
watercolor on ivory
Not on view
Charles Willson Peale, Henry Wolf, Thomas Jefferson, 1897, wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.153
Thomas Jefferson
Date1897
wood engraving on paper
Not on view

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

More Artworks from the Collection

George Catlin, Osceola, n.d., lithograph, Smithsonian American Art Museum, Transfer from the National Museum of Natural History, Department of Ethnology, Smithsonian Institution, 1985.66.386,591E
Osceola
Daten.d.
lithograph
Not on view
George Catlin, Joc-o-sot, the Walking Bear, n.d., lithograph, Smithsonian American Art Museum, Transfer from the National Museum of Natural History, Department of Ethnology, Smithsonian Institution, 1985.66.386,592BBB
Joc-o-sot, the Walking Bear
Daten.d.
lithograph
Not on view
Unidentified (European), Marie Antionete [sic] D'Autriche, Reine de France et de Navarre, Nee a Vienna 2 November 1755, n.d., engraving on paper, Smithsonian American Art Museum, Gift of John Gellatly, 1929.7.23
Marie Antionete [sic] D’Autriche, Reine de France et de…
Artist
Unidentified (European)
Daten.d.
engraving on paper
Not on view
The Scalp Dance
Daten.d.
lithograph
Not on view