The Artist’s Daughter

William Zorach, The Artist's Daughter, 1930, marble, 25 3812 1410 12 in. (64.331.226.8 cm.), Smithsonian American Art Museum, Gift of Tessim Zorach, 1968.25

Artwork Details

Title
The Artist’s Daughter
Date
1930
Dimensions
25 3812 1410 12 in. (64.331.226.8 cm.)
Credit Line
Gift of Tessim Zorach
Mediums
Mediums Description
marble
Classifications
Subjects
  • Portrait female — Zorach, Dahlov — nude
  • Portrait female — Zorach, Dahlov — bust
Object Number
1968.25

Artwork Description

William Zorach’s daughter Dahlov posed for many of his drawings and sculptures. He loved his children dearly and based much of his art on his relationships with them. Their “secret lives” and creative spirits particularly fascinated Zorach, so that when Dahlov began painting at an early age, he saved everything she ever made. When she was eighteen, the Museum of Modern Art in New York City produced a show of her work titled Exhibition of Creative Growth.

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Midnight Sun, Lofoten, 1937, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.907
Midnight Sun, Lofoten
Date1937
oil on burlap
On view
William H. Johnson, Lamentation, ca. 1944, oil on fiberboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.981
Lamentation
Dateca. 1944
oil on fiberboard
On view

More Artworks from the Collection

William H. Johnson, Tunisian Street Scene with Figures, ca. 1932, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.38
Tunisian Street Scene with Figures
Dateca. 1932
watercolor and pencil on paper
Not on view
Edward Morton, Loggers, 1937, watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.150
Loggers
Date1937
watercolor and pencil on paper
Not on view
Terry Schoonhoven, Study for Morning Room Murals, U. S. Court of Appeals, Pasadena, California, 1984, watercolor, pen and ink, and pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1987.13.1
Study for Morning Room Murals, U. S. Court of Appeals,…
Date1984
watercolor, pen and ink, and pencil on paper
Not on view
Stone Cutters (mural study, Rockport, Massachusetts Post…
Dateca. 1935-1943
watercolor, pencil and pen and ink on paperboard
Not on view