Self-Portrait of the Artist as a Haruspex

William Harper, Self-Portrait of the Artist as a Haruspex, 1990, gold, sterling silver, cloisonné enamel, opal, pearl, coral, shell, carapace, Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1991.137, © 1990, William Harper
William Harper, Self-Portrait of the Artist as a Haruspex, 1990, gold, sterling silver, cloisonné enamel, opal, pearl, coral, shell, carapace, 11 122 122 14 in. (29.26.45.8 cm.), Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1991.137, © 1990, William Harper

Artwork Details

Title
Self-Portrait of the Artist as a Haruspex
Date
1990
Location
Not on view
Dimensions
11 122 122 14 in. (29.26.45.8 cm.)
Copyright
© 1990, William Harper
Credit Line
Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program
Mediums Description
gold, sterling silver, cloisonné enamel, opal, pearl, coral, shell, carapace
Classifications
Subjects
  • Abstract
  • Dress — accessory — hat
  • Occupation — art — artist
  • Occupation — religion — clergy
  • Portrait male — Harper, William — full length
  • Portrait male — Harper, William — self-portrait
Object Number
1991.137

Artwork Description

A haruspex was a diviner or soothsayer in ancient Rome who "read" the future from the entrails of sacrificial animals. In Self-Portrait the shape of the inlaid coral spills out like entrails, while the features of the cloisonne face symbolize the artist's condition. The blackened left eye represents William Harper's blindness, and the protrusion from the forehead (the "carapace," or protective covering) is a metaphorical shield from his painful migraines. This is one of a series of self-portraits showing Harper as a mystic from different cultures.

Works by this artist (4 items)

Drex Brooks, Sweet Medicine: Council Grounds of the Great Treaty at Horse Creek, Nebraska, 1987, printed 1989, toned gelatin silver print, Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation, 1991.21.1, © 1989, Drex Brooks
Sweet Medicine: Council Grounds of the Great Treaty at…
Date1987, printed 1989
toned gelatin silver print
Not on view
Drex Brooks, Sweet Medicine: Nez Perce Surrender Site, Bear Paw Mountains, Montana, 1989, gelatin silver print, Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation, 1991.21.2, © 1989, Drex Brooks
Sweet Medicine: Nez Perce Surrender Site, Bear Paw…
Date1989
gelatin silver print
Not on view
Drex Brooks, Sweet Medicine: Summit Springs Battlefield, Colorado, 1987, printed 1989, toned gelatin silver print, Smithsonian American Art Museum, Gift of the artist, 1990.71.2, © 1989, Drex Brooks
Sweet Medicine: Summit Springs Battlefield, Colorado
Date1987, printed 1989
toned gelatin silver print
Not on view
Drex Brooks, Sweet Medicine: Medicine Rock; Sacred Place, North Dakota, 1987, printed 1989, toned gelatin silver print, Smithsonian American Art Museum, Gift of the artist, 1990.71.1, © 1989, Drex Brooks
Sweet Medicine: Medicine Rock; Sacred Place, North Dakota
Date1987, printed 1989
toned gelatin silver print
Not on view

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Bently
Dateca. 1975
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view