Skeins

Mariska Karasz, Skeins, ca. 1950, linen, cotton, and wool, Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1992.117, © 1952, F. Schumacher and Co.
Mariska Karasz, Skeins, ca. 1950, linen, cotton, and wool, 53 1250 14 in. (135.9127.6 cm.), Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program, 1992.117, © 1952, F. Schumacher and Co.

Artwork Details

Title
Skeins
Date
ca. 1950
Location
Not on view
Dimensions
53 1250 14 in. (135.9127.6 cm.)
Copyright
© 1952, F. Schumacher and Co.
Credit Line
Gift of the James Renwick Alliance and museum purchase through the Smithsonian Institution Collections Acquisition Program
Mediums Description
linen, cotton, and wool
Classifications
Subjects
  • Abstract
Object Number
1992.117

Artwork Description

Embroidery is to sewing what poetry is to prose; here the stitches can be made to sing out as words sing in a poem. -- Mariska Karasz

Throughout her life, Mariska Karasz pushed traditional sewing techniques to extremes, creating new stitches and applying existing ones in unusual ways. She started this wall hanging by wrapping different colored yarns around her fingers "for play." She liked how the loops looked and tacked them down to the fabric, varying their scale and position so they appear to fly out toward the viewer from a point far in the distance.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (42 items)

William Christenberry, River House, 1980, wood, construction board, paperboard, metal, and dirt, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 1994.92
River House
Date1980
wood, construction board, paperboard, metal, and dirt
On view
William Christenberry, 5¢, Demopolis, Alabama, 1978, chromogenic print, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 2006.31.4
5¢, Demopolis, Alabama
Date1978
chromogenic print
Not on view
William Christenberry, Cotton Warehouse Door with Cart--Selma, Alabama, 1979, printed 1981, chromogenic print, Smithsonian American Art Museum, Gift of Dr. Martha Gross, 1986.69.12, © 1979, William Christenberry
Cotton Warehouse Door with Cart – Selma, Alabama
Date1979, printed 1981
chromogenic print
Not on view
William Christenberry, White Door--near Stewart, Alabama, 1980, printed 1981, chromogenic print, Smithsonian American Art Museum, Gift of Dr. Martha Gross, 1986.69.1, © 1980, William Christenberry
White Door – near Stewart, Alabama
Date1980, printed 1981
chromogenic print
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view
Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
Dateca. 1937
gelatin silver prints
Not on view