Tapestry Weave Rag Jerga

Agueda Martínez, Tapestry Weave Rag Jerga, 1994, woven cotton cloth on cotton yarn warp, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1995.46
Agueda Martínez, Tapestry Weave Rag Jerga, 1994, woven cotton cloth on cotton yarn warp, 86 1252 12 in. (219.7133.4 cm.), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1995.46

Artwork Details

Title
Tapestry Weave Rag Jerga
Date
1994
Location
Not on view
Dimensions
86 1252 12 in. (219.7133.4 cm.)
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program
Mediums
Mediums Description
woven cotton cloth on cotton yarn warp
Classifications
Subjects
  • Abstract — geometric
Object Number
1995.46

Artwork Description

I draw on the loom . . . just what I feel like at the moment.
--Agueda Martínez

Agueda Martínez wove traditions, ideals, and her own ebullient spirit into rugs that are contemporary in design. Here, concentric diamonds, hourglasses, and chevrons echo Chimayó patterns of her Mexican American community. Martínez and her husband, also a weaver, supported their family of ten children as subsistence farmers during the day and weavers at night. They gathered plants for dye and spun scraps of worn clothing into yarn to make rugs. At first, they sold them through blanket dealers, and later, as their work became well-known, from their home.
By the 1970s, "Doña Agueda" Martínez was nationally renowned. In 1975 she received the New Mexico Governor's Award for Excellence in the Arts. The 1977 documentary film Agueda Martínez: Our People, Our Country about her relationship with the land and her family was nominated for an Academy Award.

Works by this artist (1 item)

Gerald H. Thayer, Gladys Thayer, Hooded Warblers, study for book Concealing Coloration in the Animal Kingdom, ca. 1900-1909, watercolor on paper, stencil, and oil on wood, Smithsonian American Art Museum, Gift of the heirs of Abbott Handerson Thayer, 1950.2.14
Hooded Warblers, study for book Concealing Coloration in…
Dateca. 1900-1909
watercolor on paper, stencil, and oil on wood
Not on view

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

More Artworks from the Collection

Sam Francis, Untitled, ca. 1948-1950, oil wash on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection, 1980.137.26
Untitled
Dateca. 1948-1950
oil wash on paper
Not on view
Jacob Elshin, Scientists of Today (mural study, University Post Office, Seattle, Washington), ca. 1939, oil, watercolor and carbon paper transfer on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1980.133.20
Scientists of Today (mural study, University Post Office,…
Dateca. 1939
oil, watercolor and carbon paper transfer on paperboard
Not on view
Ralph Rosenborg, Untitled, 1939, watercolor and oil on paperboard, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.77
Untitled
Date1939
watercolor and oil on paperboard
Not on view
Walter Quirt, Untitled, 1940-1942, oil, watercolor, ink wash and pen and ink on paper, Smithsonian American Art Museum, Gift of Edouard Roditi, 1984.82
Untitled
Date1940-1942
oil, watercolor, ink wash and pen and ink on paper
Not on view