Larger Type
Smaller Type

Search Collections

Da. Barbara Vizcarrondo de Elzaburu

19th century Unidentified (Puerto Rican) watercolor on ivory 2 7/8 x 2 7/8 in. (7.4 x 7.4 cm) Smithsonian American Art Museum Teodoro Vidal Collection 1996.91.20 Smithsonian American Art Museum
Luce Foundation Center, 3rd Floor, 16A, Drawer 11


Luce Center Label

It is not always possible to identify more than the sitter's name in miniature portraits, and research is still being done on some of the works in the Museum's collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter's hair, symbolizing affection, commitment, or loss. The daguerreotype, invented in 1839, provided a cheaper, faster alternative, and portrait miniatures grew less popular. At the turn of the twentieth century, with the establishment of the American Society of Miniature Painters, miniatures enjoyed a brief revival. Conservation of this miniature was made possible through a generous grant provided by the Smithsonian Women's Committee.

Keywords

Object - flower

Portrait female - Vizcarrondo, de Elzaburu, Barbara - waist length

painting - miniature

paint - watercolor

ivory