The Acrobats

Alexander Calder, The Acrobats, 1944, plaster, sight 11 3410 387 58 in. (30.026.219.3 cm.), Smithsonian American Art Museum, Gift of Alexander Calder, 1971.358A-B

Artwork Details

Title
The Acrobats
Date
1944
Dimensions
sight 11 3410 387 58 in. (30.026.219.3 cm.)
Credit Line
Gift of Alexander Calder
Mediums
Mediums Description
plaster
Classifications
Subjects
  • Figure group — male — nude
  • Performing arts — circus — acrobat
Object Number
1971.358A-B

Artwork Description

Alexander Calder became fascinated with the circus when a job with The Police Gazette in New York required him to draw cartoons of local athletic events. He went on to study the movements of acrobats, trapeze artists, knife throwers, belly dancers and a vast array of animals. He began his legendary "Circus" piece in Paris, and expanded it over the years until it filled five suitcases and a two-hour show. The Acrobats was inspired by these early studies and represents a brief period when Calder worked in plaster, creating mobile objects that would be cast in bronze.

Works by this artist (32 items)

Albert Pinkham Ryder, The Lorelei, ca. 1896 - 1917, oil on canvas, Smithsonian American Art Museum, Gift of Tulip Tree Foundation, Robin B. Martin, Trustee, 2011.8
The Lorelei
Dateca. 1896 - 1917
oil on canvas
On view
Albert Pinkham Ryder, The Lovers' Boat, ca. 1881, oil on wood, Smithsonian American Art Museum, Gift of Alastair B. Martin, 2005.14
The Lovers’ Boat
Dateca. 1881
oil on wood
On view
Albert Pinkham Ryder, Lord Ullin's Daughter, before 1907, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.101
Lord Ullin’s Daughter
Datebefore 1907
oil on canvas mounted on fiberboard
On view
Albert Pinkham Ryder, Florizel and Perdita, by 1887, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.94
Florizel and Perdita
Dateby 1887
oil on canvas mounted on fiberboard
On view

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