Gilbert Stuart

Sarah Goodridge, Gilbert Stuart, 1825-1827, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.16
Sarah Goodridge, Gilbert Stuart, 1825-1827, watercolor on ivory, sight 1 781 58 in. (4.84.1 cm) oval, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.16
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Artwork Details

Title
Gilbert Stuart
Date
1825-1827
Location
Not on view
Dimensions
sight 1 781 58 in. (4.84.1 cm) oval
Credit Line
Bequest of Mary Elizabeth Spencer
Mediums
Mediums Description
watercolor on ivory
Classifications
Subjects
  • Portrait male — Stuart, Gilbert — bust
Object Number
1999.27.16

Artwork Description

Sarah Goodridge painted this miniature at the request of Gilbert Stuart (1755-1828), who believed no one else could capture the essence of his personality. He declared it the "only true likeness" of him, and valued this work so much that he presented it to his mother, adorned with a bracelet woven from his own, and his wife's, hair. According to family letters, Stuart presented this miniature to his mother on July 21, 1827. Of the three miniatures Goodridge painted of Stuart, this was the sitter's favorite. The other two are in the collections of the Metropolitan Museum of Art in New York, and the Museum of Fine Arts, Boston. Conservation of this miniature was made possible through a generous grant provided by the Smithsonian Women's Committee.

Works by this artist (9 items)

Sarah Goodridge, Mrs. John Watson (Matilda), ca. 1825, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1948.3.2
Mrs. John Watson (Matilda)
Dateca. 1825
watercolor on ivory
Not on view
Sarah Goodridge, Betsy Goodridge, ca. 1840, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1963.9.3
Betsy Goodridge
Dateca. 1840
watercolor on ivory
Not on view
Sarah Goodridge, Edward Appleton, ca. 1835, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1942.11.3
Edward Appleton
Dateca. 1835
watercolor on ivory
Not on view
Sarah Goodridge, Beulah Appleton, ca. 1840, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1942.11.7
Beulah Appleton
Dateca. 1840
watercolor on ivory
Not on view

More Artworks from the Collection

George Catlin, Portrait of a Gentleman, ca. 1830, watercolor on ivory, Smithsonian American Art Museum, Gift of Bernard N. Burnstine, 1946.1.1
Portrait of a Gentleman
Dateca. 1830
watercolor on ivory
Not on view
Henry Brintnell Bounetheau, Unmasked, ca. 1840, watercolor on ivory, Smithsonian American Art Museum, Gift of Mrs. Henry Du Pré Bounetheau, 1946.3.21
Unmasked
Dateca. 1840
watercolor on ivory
Not on view
John Wood Dodge, Mordecai Manuel Noah, 1834, watercolor on ivory, Smithsonian American Art Museum, Bequest of Ettie W. Noah Wilson, through John L. Laskey, 1957.11.4
Mordecai Manuel Noah
Date1834
watercolor on ivory
Not on view
Ambrose Duval, Theresa Diana Levesque, 1810, watercolor on ivory, Smithsonian American Art Museum, Museum purchase, 1975.59.2
Theresa Diana Levesque
Date1810
watercolor on ivory
Not on view