Eé-shah-kó-nee, Bow and Quiver, First Chief of the Tribe

George Catlin, Eé-shah-kó-nee, Bow and Quiver, First Chief of the Tribe, 1834, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.46
Copied George Catlin, Eé-shah-kó-nee, Bow and Quiver, First Chief of the Tribe, 1834, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.46
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Artwork Details

Title
Eé-shah-kó-nee, Bow and Quiver, First Chief of the Tribe
Date
1834
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Portrait male — Bow and Quiver
  • Indian — Comanche
  • Portrait male — Bow and Quiver — bust
Object Number
1985.66.46

Artwork Description

George Catlin described this Comanche chief as “pleasant looking . . . without anything striking or peculiar in his looks; dressed in a very humble manner . . . his hair carelessly falling about his face, and over his shoulders.” He noted that “the only ornaments to be seen about him were a couple of beautiful shells worn in his ears, and a boar’s tusk attached to his neck, and worn on his breast.” The chief’s mild demeanor masks the ferocious struggle against white settlers that his people would sustain for decades. Catlin painted this portrait when the United States military had not yet gained control of the southern Plains. The confrontation between Bow and Quiver’s people and white settlers would come to a head in the Comanche and Kiowa wars of the 1870s. (Catlin, Letters and Notes, vol. 2, no. 42, 1841, reprint 1973; Gurney and Heyman, eds., George Catlin and His Indian Gallery, 2002)