Buffalo Chase, a Single Death

George Catlin, Buffalo Chase, a Single Death, 1832-1833, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.408
George Catlin, Buffalo Chase, a Single Death, 1832-1833, oil on canvas, 2429 in. (60.973.7 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.408
Free to use

Artwork Details

Title
Buffalo Chase, a Single Death
Date
1832-1833
Location
Not on view
Dimensions
2429 in. (60.973.7 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Occupation — hunter
  • Animal — buffalo
  • Figure male
  • Western
  • Animal — horse
  • Indian
Object Number
1985.66.408

Artwork Description

“In the chase of the buffalo, or other animal, the Indian generally ‘strips’ himself and his horse, by throwing off his shield and quiver, and every part of his dress, which might be an encumbrance to him in running; grasping his bow in his left hand, with five or six arrows drawn from his quiver, and ready for instant use . . . These horses are so trained, that the Indian has little use for the rein, which hangs on the neck, whilst the horse approaches the animal on the right side, giving his rider the chance to throw his arrow to the left; which he does at the instant when the horse is passing---bringing him opposite to the heart, which receives the deadly weapon ‘to the feather’ . . . I have fairly represented the mode of approaching, at the instant the arrow is to be thrown; and the striking disparity between the size of a huge bull of 2000 pounds weight, and the Indian horse, which, it will be borne in mind, is but a pony.” George Catlin made this sketch on the Upper Missouri in 1832. (Catlin, Letters and Notes, vol. 1, no. 31, 1841; reprint 1973)

Works by this artist (3 items)

Robert Andrew Parker, Untitled, n.d., color lithograph, Smithsonian American Art Museum, Gift of Atelier Mourlot Ltd., 1969.2.29
Untitled
Daten.d.
color lithograph
Not on view
Robert Andrew Parker, "Liberty does not consist in mere general declarations of the rights of men. It consists in the translation of those declarations into definite action."--Woodrow Wilson, Address, Independence Hall, July 4, 1914. From the series Great Ideas of Western Man., 1956, pen and ink and watercolor on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.234
Liberty does not consist in mere general declarations of…
Date1956
pen and ink and watercolor on paper mounted on paperboard
Not on view
Robert Andrew Parker, Parachutists, 1968, watercolor and pen and ink on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.58
Parachutists
Date1968
watercolor and pen and ink on paper
Not on view

Exhibitions

Media - 1985.66.404 - SAAM-1985.66.404_1 - 9039
Picturing the American Buffalo: George Catlin and Modern Native American Artists
October 11, 2019March 13, 2020
Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.

More Artworks from the Collection

George Catlin, Round Island, a Warrior, 1831, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.265
Round Island, a Warrior
Date1831
oil on canvas
Not on view
A. Patrick, Mrs. Benajah Johnson, 1830, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Frank Cummings Cook, 1966.71.2
Mrs. Benajah Johnson
Date1830
oil on canvas
Not on view