Comanche Feats of Horsemanship

George Catlin, Comanche Feats of Horsemanship, 1834-1835, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.487
George Catlin, Comanche Feats of Horsemanship, 1834-1835, oil on canvas, 2429 in. (60.973.7 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.487
Free to use

Artwork Details

Title
Comanche Feats of Horsemanship
Date
1834-1835
Location
Not on view
Dimensions
2429 in. (60.973.7 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Figure group — male
  • Western
  • Recreation — sport and play — equestrian
  • Animal — horse
  • Indian — Comanche
Object Number
1985.66.487

Artwork Description

“Amongst their feats of riding, there is one that has astonished me more than anything of the kind I have ever seen, or expect to see, in my life:---a stratagem of war, learned and practiced by every young man in the tribe; by which he is able to drop his body upon the side of his horse at the instant he is passing, effectually screened from his enemies’ weapons as he lays in a horizontal position behind the body of his horse, with his heel hanging over the horses' back; by which he has the power of throwing himself up again, and changing to the other side of the horse if necessary. In this wonderful condition, he will hang whilst his horse is at fullest speed, carrying with him his bow and his shield, and also his long lance of fourteen feet in length, all or either of which he will wield upon his enemy as he passes; rising and throwing his arrows over the horse's back, or with equal ease and equal success under the horse's neck.” George Catlin sketched this scene in 1834, when he accompanied the United States Dragoons to Indian Territory. (Catlin, Letters and Notes, vol. 2, no. 42, 1841; reprint 1973)

Works by this artist (19 items)

Thomas Vigil, Snow Bird Dancers, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.56
Snow Bird Dancers
Dateca. 1920-1925
watercolor and pencil on paper
Not on view
Thomas Vigil, War Dancers, ca. 1920-1950, gouache and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.61
War Dancers
Dateca. 1920-1950
gouache and pencil on paper
Not on view
Thomas Vigil, Hunting Priest, Buffalo Dance, ca. 1920-1950, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.57
Hunting Priest, Buffalo Dance
Dateca. 1920-1950
watercolor and pencil on paper
Not on view
Thomas Vigil, Costume Studies-Buffalo, Comanche, and Eagle Dances, ca. 1920-1925, watercolor and pencil on paper, Smithsonian American Art Museum, Corbin-Henderson Collection, Gift of Alice H. Rossin, 1979.144.60
Costume Studies-Buffalo, Comanche, and Eagle Dances
Dateca. 1920-1925
watercolor and pencil on paper
Not on view

More Artworks from the Collection

Cecil West, Tennessee, from the United States Series, 1948, gouache and pencil on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.304
Tennessee, from the United States Series
Date1948
gouache and pencil on paperboard
Not on view
Marguerite Zorach, (Study for Tapestry), 1920, opaque watercolor and pencil on paper mounted on paper, Smithsonian American Art Museum, Gift of Tessim Zorach, 1970.65.136
(Study for Tapestry)
Date1920
opaque watercolor and pencil on paper mounted on paper
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Charles Sheeler, Study for American Interior, 1934, ca. 1934, watercolor, opaque watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1982.90
Study for American Interior, 1934
Dateca. 1934
watercolor, opaque watercolor and pencil on paper
Not on view
William H. Johnson, Come Unto Me, Little Children, ca. 1944, recto: gouache and pen and ink on paper
verso: pencil on paper
, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.989R-V
Come Unto Me, Little Children
Dateca. 1944
recto: gouache and pen and ink on paper verso: pencil on paper
Not on view