Search Collections
Medicine Man, Performing His Mysteries over a Dying Man
1832 George Catlin Born: Wilkes-Barre, Pennsylvania 1796 Died: Jersey City, New Jersey 1872 oil on canvas 29 x 24 in. (73.7 x 60.9 cm) Smithsonian American Art Museum Gift of Mrs. Joseph Harrison, Jr. 1985.66.161 Not currently on view
In 1832, George Catlin witnessed a dramatic ritual at Fort Union, two thousand miles northwest of St. Louis. According to the artist, the medicine man began the healing by administering roots and herbs. If this failed, he would try “shaking his frightful rattles, and singing songs of incantation.” Catlin wrote that the medicine man’s clothing often consisted of “the skins of snakes, and frogs, and bats,---beaks and tows and tails of birds,---hoofs of deer, goats, and antelopes,” each possessing “anomalies or deformities,” which gave them their healing power. This healer wore the skin of a yellow bear attached with the hides of snakes. Catlin actually owned the costume, and he sometimes wore it to enhance the spectacle of his Indian Gallery. (Gurney and Heyman, eds., George Catlin and His Indian Gallery, 2002)
For more information about this work visit the Luce Foundation Center.
Keywords
Ceremony - Indian - Medicine Ceremony
Dress - ethnic - Indian dress
Ethnic - Indian - Blackfoot
Figure male - full length
Occupation - medicine - doctor
painting
paint - oil
fabric - canvas
metal - aluminum - support added
About George Catlin
Born: Wilkes-Barre, Pennsylvania 1796 Died: Jersey City, New Jersey 1872
More works in the collection by
George Catlin
Online Exhibitions
- George Catlin and His Indian Gallery / American Art
- George Catlin's Indian Gallery / American Art
- Campfire Stories with George Catlin
- Campfire Stories with George Catlin
- Exhibitions / American Art
- LUREOFTHEAMERICANWEST
- YOUNGAMERICA
- Online Exhibitions / American Art
- Pigeon's Egg Head (The Light) going to and returning from ...
- Motivating and unifying most of her efforts is an overriding ...




Social Media @ American Art