Naw-naw-páy-ee, The Soldier

George Catlin, Naw-naw-páy-ee, The Soldier, 1828, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.212
George Catlin, Naw-naw-páy-ee, The Soldier, 1828, oil on canvas, 18 1214 in. (47.035.7 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.212
Free to use

Artwork Details

Title
Naw-naw-páy-ee, The Soldier
Date
1828
Location
Not on view
Dimensions
18 1214 in. (47.035.7 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Indian — Winnebago
  • Portrait male — Soldier
Object Number
1985.66.212

Artwork Description

Before he began his extensive travels in the West, George Catlin found his first Indian subjects in the East. Nine members of a Winnebago delegation from present-day Wisconsin sat for him in Washington, D.C., in 1828. Catlin wrote that he had painted the portraits of “Won-de-tow-a (the wonder), Wa-kon-chash-kaw (he who comes on the thunder), Nau-naw-pay-ee (the soldier), Span-e-o-nee-kaw (the Spaniard) Hoo-wan-ee-kaw (the little elk), No-ah-choo-she-kaw (he who breaks the bushes), and Naugh-haigh-ke-kaw (he who moistens the wood), all distinguished men of the tribe; and all at full length, as they will be seen standing in my Collection.” (Catlin, Letters and Notes, vol. 2, no. 52, 1841; reprint 1973)

Works by this artist (62 items)

Terry Evans, Smoky Hill Bombing Range Target, Tires, 1990, gelatin silver print, Smithsonian American Art Museum, Gift of the artist, 1992.7.2, © 1990, Terry Evans
Smoky Hill Bombing Range Target, Tires
Date1990
gelatin silver print
Not on view
Solomon River Oxbow
Date1990
gelatin silver print
Not on view

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Jared French, Margaret French, PaJaMa, Paul Cadmus, PaJaMa (Box A), ca. 1937, gelatin silver prints, Smithsonian American Art Museum, Bequest of Margaret French, 1999.98.5.16
PaJaMa (Box A)
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