Pshán-shaw, Sweet-scented Grass, Twelve-year-old Daughter of Bloody Hand

George Catlin, Pshán-shaw, Sweet-scented Grass, Twelve-year-old Daughter of Bloody Hand, 1832, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.125
George Catlin, Pshán-shaw, Sweet-scented Grass, Twelve-year-old Daughter of Bloody Hand, 1832, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.125
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Artwork Details

Title
Pshán-shaw, Sweet-scented Grass, Twelve-year-old Daughter of Bloody Hand
Date
1832
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Exterior — domestic — hut
  • Portrait female — Sweet Scented Grass — full length
  • Dress — Indian dress
  • Indian — Arikara
  • Portrait female — Sweet Scented Grass — child
Object Number
1985.66.125

Artwork Description

This portrait, according to George Catlin, gives “a very pretty specimen of the dress and fashion of the women in this tribe [the Arikara]. The inner garment, which is like a slip or frock, is entire in one piece, and beautifully ornamented with embroidery and beads, with a row of elks' teeth passing across the breast, and a robe of the young buffalo's skin, tastefully and elaborately embroidered, gracefully thrown over her shoulders, and hanging down to the ground behind her.” Catlin painted fewer women than men, a fact explained by their secondary place in Indian society. As the young daughter of an Arikara chief, however, Sweet-scented Grass possessed status in the tribe and the means to dress in “a robe of the young buffalo’s skin, tastefully and elaborately embroidered” in northern Plains style. Catlin painted this portrait at an Arikara village in 1832. (Catlin, Letters and Notes, vol. 1, no. 25, 1841, reprint 1973; Truettner, The Natural Man Observed, 1979; Gurney and Heyman, eds., George Catlin and His Indian Gallery, 2002)

Works by this artist (744 items)

William Zorach, Seated Girl (with hands under legs), 1930, cast and patinated plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1971.449.8
Seated Girl (with hands under legs)
Date1930
cast and patinated plaster
On view
William Zorach, Head of Abraham Walkowitz, 1943, plaster, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.130
Head of Abraham Walkowitz
Date1943
plaster
On view
William Zorach, Head of Robert Schwarzenbach, ca. 1930, marble, Smithsonian American Art Museum, Gift of Tessim Zorach and Dahlov Ipcar, 1968.154.150
Head of Robert Schwarzenbach
Dateca. 1930
marble
On view
William Zorach, Head of Eudora, ca. 1960, cast and painted plaster on wood base, Smithsonian American Art Museum, Gift from the collection of the Zorach children, 1976.145.47
Head of Eudora
Dateca. 1960
cast and painted plaster on wood base
On view

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Anthony de Francisci, Kate Fox, ca. 1947, plaster/mold, Smithsonian American Art Museum, Gift of Mrs. Anthony de Francisci, 1966.51.19
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Anthony de Francisci, World's Fair Medal (reverse), 1964, plaster plaque, Smithsonian American Art Museum, Gift of Mrs. Anthony de Francisci, 1966.51.8
World’s Fair Medal (reverse)
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Anthony de Francisci, Science Medal Award, 1951, plaster mold/cast, Smithsonian American Art Museum, Gift of Mrs. Anthony de Francisci, 1966.51.21
Science Medal Award
Date1951
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