View on the Wisconsin River, Winnebago Shooting Ducks

George Catlin, View on the Wisconsin River, Winnebago Shooting Ducks, 1836-1837, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.347
George Catlin, View on the Wisconsin River, Winnebago Shooting Ducks, 1836-1837, oil on canvas, 19 1227 12 in. (49.670.0 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.347
Free to use

Artwork Details

Title
View on the Wisconsin River, Winnebago Shooting Ducks
Date
1836-1837
Location
Not on view
Dimensions
19 1227 12 in. (49.670.0 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — river — Wisconsin River
  • Figure group — male
  • Western
  • Animal — bird — duck
  • Occupation — hunter
  • Indian — Winnebago
Object Number
1985.66.347

Artwork Description

In the summer of 1836, George Catlin made his final journey to the West, to visit the sacred Pipestone Quarry in present-day Minnesota, where Plains Indians harvested the red steatite to make their pipe bowls. He journeyed west by steamer from New York through Sault Ste. Marie and Green Bay, paddling down the Wisconsin River, where he sketched this image of Winnebago Indians hunting ducks. Although familiar with the West’s stunning landscape since beginning his travels in 1830, Catlin found the country’s beauty---and his enthusiasm for it---inexhaustible. He later described the Wisconsin River as what “the French most appropriately denominate ‘La belle riviere,’ [it] may certainly vie with any other on the Continent . . . for its beautifully skirted banks and prairie bluffs. It may justly be said to be equal to the Mississippi . . .” (Catlin, Letters and Notes, vol. 2, no. 54, 1841, reprint 1973; Truettner, The Natural Man Observed, 1979)

Works by this artist (11 items)

George Catlin, John Sartain, Osceola, engraving and mezzotint, Smithsonian American Art Museum, Gift of William Page Howell, 1979.135.2
Osceola
engraving and mezzotint
Not on view
The Magic Lake
Artist
Unidentified
Copy after John Sartain
Date1853
charcoal on paperboard
Not on view
James Hamilton, John Sartain, The Haunted Stream, after 1846, mezzotint on paper mounted on paper, Smithsonian American Art Museum, Transfer from the Library of the Smithsonian American Art Museum and the National Portrait Gallery, Smithsonian Institution, 1990.5.7
The Haunted Stream
Dateafter 1846
mezzotint on paper mounted on paper
Not on view

More Artworks from the Collection

Max Weber, Reclining Nude--Abstract, n.d., charcoal on paper, Smithsonian American Art Museum, Gift of Joy S. Weber, 1997.44.2
Reclining Nude – Abstract
Daten.d.
charcoal on paper
Not on view
Untitled
Daten.d.
charcoal on paper
Not on view
Charles Walter Stetson, Bathers by Moonlight, n.d., charcoal on paper, Smithsonian American Art Museum, 1983.65.2
Bathers by Moonlight
Daten.d.
charcoal on paper
Not on view
Charles A. Barry, Portrait of May Scates, 1870, charcoal, Smithsonian American Art Museum, Gift of Benjamin T. Howes, 1985.41.1
Portrait of May Scates
Date1870
charcoal
Not on view