Bureau of Bureaucracy

Kim Schmahmann, Bureau of Bureaucracy, 1993-1999, various hardwoods, veneers, marquetry, mother of pearl, gold leaf, and brass, 963624 in. (243.891.461.0 cm), Smithsonian American Art Museum, Gift of an anonymous donor, 2000.48A-H, © 1993, Kim S. Schmahmann

Artwork Details

Title
Bureau of Bureaucracy
Date
1993-1999
Location
Not on view
Dimensions
963624 in. (243.891.461.0 cm)
Copyright
© 1993, Kim S. Schmahmann
Credit Line
Gift of an anonymous donor
Mediums Description
various hardwoods, veneers, marquetry, mother of pearl, gold leaf, and brass
Classifications
Subjects
  • Architecture — civic
  • Allegory — civic
  • Object — written matter — book
Object Number
2000.48A-H

Artwork Description

Schmahmann’s Bureau of Bureaucracy re-interprets the sixteenth-century European “cabinet of curiosities,” used to house wondrous, exotic objects. Instead of rare stones and fossils, this cabinet holds certificates, diplomas, licenses, medical reports, and financial statements, bureaucratic documents that reflect and define our lives in contemporary society. Behind the functional exterior of this piece lies a surreal array of inverted perspectives, false drawers, and hidden compartments—the artist’s subtle commentary on the true nature of bureaucracies.

Connections: Contemporary Craft at the Renwick Gallery, 2019

Works by this artist (4 items)

James Surls, Black and White Tipped Flower, 1982, burnt white oak, Smithsonian American Art Museum, Museum purchase and gift in honor of Adelyn Dohme Breeskin from her friends, 1986.52
Black and White Tipped Flower
Date1982
burnt white oak
On view
James Surls, Sea Flower, drawing, Smithsonian American Art Museum, Transfer from the General Services Administration, 1977.47.77
Sea Flower
drawing
Not on view
James Surls, Me, the Axe, and the Wand, 1982, pine, mahogany, oak, hickory and rattan, Smithsonian American Art Museum, Gift of Barbara and Donald Zale in honor of George and Julie Tobolowsky and James and Charmaine Surls, 2005.27A-D, © 1982, James Surls
Me, the Axe, and the Wand
Date1982
pine, mahogany, oak, hickory and rattan
Not on view
James Surls, Sea Flower, 1978, pencil on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.76
Sea Flower
Date1978
pencil on paper
Not on view

Exhibitions

Media - 2016.11 - SAAM-2016.11_6 - 124929
Connections: Contemporary Craft at the Renwick Gallery
November 13, 2015March 6, 2022
Connections is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than 80 objects celebrating craft as a discipline and an approach to living differently in the modern world.

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view