Chapel on the Coast of Brasil (Little Chapel, Brasil)

Werner Drewes, Chapel on the Coast of Brasil (Little Chapel, Brasil), 1924, drypoint on paper, Smithsonian American Art Museum, Gift of the artist, 1969.21.10

Werner Drewes, Chapel on the Coast of Brasil (Little Chapel, Brasil), 1924, drypoint on paper, plate: 3 ⁷⁄₈ x 3 ⁷⁄₈ in. (9.8 x 9.8 cm), Smithsonian American Art Museum, Gift of the artist, 1969.21.10

Artwork Details

Title: Chapel on the Coast of Brasil (Little Chapel, Brasil)
Artist: Werner Drewes
Date: 1924
Location: Not on view
Dimensions: plate: 3 ⁷⁄₈ x 3 ⁷⁄₈ in. (9.8 x 9.8 cm)
Credit Line: Gift of the artist
Mediums Description: drypoint on paper
Classifications: Graphic Arts
Print
Subjects: Architecture Exterior — religious — church
Landscape — Brazil
Landscape — coast
Object Number: 1969.21.10
Linked Open Data: https://edan.si.edu/saam/id/object/1969.21.10

Works by this artist (6 items)

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George Segal, The Restaurant, 1975, brush and ink, pen and ink, oil wash, gouache, charcoal and collage: photograph on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1977.47.56

Artist

Date1975

brush and ink, pen and ink, oil wash, gouache, charcoal and collage: photograph on paper

George Segal, Untitled--Figure with White Chair, 1970, screenprint on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.55

Untitled – Figure with White Chair

Artist

Date1970

screenprint on paper

George Segal, The Curtain, 1974, mixed media: plaster, glass and painted wood, Smithsonian American Art Museum, Museum purchase, 1978.62, (c) 1978, George Segal

Artist

Date1974

mixed media: plaster, glass and painted wood

George Segal, Untitled--Red Chair and Radiator, 1970, screenprint on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1988.18.54

Untitled – Red Chair and Radiator

Artist

Date1970

screenprint on paper

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Unidentified, HEREIN LIES WHAT THE MOUNTAIN-LIONS LEFT OF MUCHABONGO. GONE TO THE HAPPY HUNTING GROUNDS, WHERE GAME IS EVER PLENTIFUL, AND THE WHITE MAN NEVER INTRUDES., early 20th century, carved and painted wood and plaster, synthetic fiber and buttons, wool cotton, feathers, and shell, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.313A-B

HEREIN LIES WHAT THE MOUNTAIN-LIONS LEFT OF MUCHABONGO…

Artist

Unidentified

Dateearly 20th century

carved and painted wood and plaster, synthetic fiber and buttons, wool cotton, feathers, and shell