Cockatoo: Keepsake Parakeet

Joseph Cornell, Cockatoo: Keepsake Parakeet, 1949-1953, wooden cutout, paper, spring, and found objects in a glass-fronted wood box, 20 14125 in. (51.430.512.7 cm), Smithsonian American Art Museum, Gift of Donald Windham, 2003.69

Artwork Details

Title
Cockatoo: Keepsake Parakeet
Date
1949-1953
Location
Not on view
Dimensions
20 14125 in. (51.430.512.7 cm)
Credit Line
Gift of Donald Windham
Mediums Description
wooden cutout, paper, spring, and found objects in a glass-fronted wood box
Classifications
Subjects
  • Animal — bird — parrot
  • Object — other — birdhouse
Object Number
2003.69

Artwork Description

In Cockatoo: Keepsake Parakeet, a bird is perched in its white-walled cage; a coiled spring from a watch is its lone companion. Mementos fill the drawer beneath the cage: a pink plastic charm of an Indian drawing a bow, a paper candy box, French music sheets, and other ephemera. Joseph Cornell gave this box to Donald Windham as a token of thanks for writing the forward in his 1949 exhibition catalogue The Aviaries. The show debuted Cornell's new bird themed boxes, which were inspired by looking into the windows of a pet store.

Cornell's extensive collection of contemporary periodicals and antique books served as source material for his artwork. The lesser lemon-crested cockatoo in the shadow box is from the nineteenth-century book Parrots in Captivity by W. T. Greene. Cornell had several copies of the book from which he cut out images of birds to glue to wooden supports, some of which were left waiting for future, unbuilt boxes. Although many feature the same bird, no two works are alike.

Works by this artist (1036 items)

William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Chain Gang, ca. 1939, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.675
Chain Gang
Dateca. 1939
oil on plywood
On view
William H. Johnson, Midnight Sun, Lofoten, 1937, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.907
Midnight Sun, Lofoten
Date1937
oil on burlap
On view
William H. Johnson, Lamentation, ca. 1944, oil on fiberboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.981
Lamentation
Dateca. 1944
oil on fiberboard
On view

More Artworks from the Collection

Jesús Moroles, Lapstrake I, 1980, Georgia gray granite, Smithsonian American Art Museum, Gift of Alton and Emily Steiner, 2002.82
Lapstrake I
Date1980
Georgia gray granite
Not on view
John Safer, Chandelle, 1969, revised 2013, Lucite, Smithsonian American Art Museum, Gift of the artist, 2007.23
Chandelle
Date1969, revised 2013
Lucite
Not on view
Joseph Cornell, Untitled (Shell), early 1930s, mixed media: paperboard, paper, shells, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1985.64.37
Untitled (Shell)
Dateearly 1930s
mixed media: paperboard, paper, shells
Not on view
Emery Blagdon, The Healing Machine, ca. 1955-1986, mixed media, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and gift of Dan Dryden, friend of Emery Blagdon, the Kohler Foundation, Inc., and John E. and Douglas O. Robson, from the Margaret Z. Robson Collection, VR.2014.49.GRP
The Healing Machine
Dateca. 1955-1986
mixed media
On view