Eugene Talmadge, Atlanta, Georgia, from the series The American Monument

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Lee Friedlander, Eugene Talmadge, Atlanta, Georgia, from the series The American Monument, 1973, gelatin silver print, image: 11 1⁄4 x 7 1⁄2 in. (28.6 x 19.1 cm) sheet: 13 1⁄2 x 11 in. (34.3 x 27.9 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, Margery and Edgar Masinter, Kevin and Lisa McGovern, and Bernie Stadiem, 2003.42.974, © Lee Friedlander

Artwork Details

Title
Eugene Talmadge, Atlanta, Georgia, from the series The American Monument
Artist
Date
1973
Location
Not on view
Dimensions
image: 11 1⁄4 x 7 1⁄2 in. (28.6 x 19.1 cm) sheet: 13 1⁄2 x 11 in. (34.3 x 27.9 cm)
Copyright
© Lee Friedlander
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, Margery and Edgar Masinter, Kevin and Lisa McGovern, and Bernie Stadiem
Mediums Description
gelatin silver print
Classifications
Subjects
  • Monument — statue — Talmadge
  • Cityscape — Georgia — Atlanta
Object Number
2003.42.974
Linked Open Data
https://edan.si.edu/saam/id/object/2003.42.974

Works by this artist (29 items)

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Herbert Bayer, "Every new opinion, at its starting, is precisely in a minority of one."--Thomas Carlyle, Heroes and Hero Worship, II, 1840, lecture in London, May 8. From the series Great Ideas of Western Man., 1961, metal, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.25
“Every new opinion, at its starting, is precisely in a…
Artist
Date1961
metal
On view
Herbert Bayer, Fire Steals Too Much of an Important Resource, from the Early Series, 1942, gelatin silver print, gouache and paper on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.15
Fire Steals Too Much of an Important Resource, from the…
Artist
Date1942
gelatin silver print, gouache and paper on paperboard
Not on view
Herbert Bayer, Destiny of an Old Directory, from the Early Series, 1939, gouache and gelatin silver print on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.14
Destiny of an Old Directory, from the Early Series
Artist
Date1939
gouache and gelatin silver print on paperboard
Not on view
Herbert Bayer, We both consider the people as our children and love them with parental affection but you love them as infants whom you are afraid to trust withoutnurses and I as adults whom I freely leave to self-government.--Thomas Jefferson. From the series Great Ideas., 1957, gouache on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.28
We both consider the people as our children and love them…
Artist
Date1957
gouache on paperboard
Not on view

More Artworks from the Collection

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John V. Snow, Sr., Perch, 1990, basswood, copper, lead, and glass, Smithsonian American Art Museum, Gift of the artist, 1991.103.3
Perch
Artist
Date1990
basswood, copper, lead, and glass
On view
J. E. Evans, W. W. Robbins, Weather Vane/Model of a Cadillac V-16 Sport Phaeton, 1931, molded copper, bronze and glass, Smithsonian American Art Museum, Museum purchase from the folk art collection of David L. Davies, 1992.2.1
Weather Vane/​Model of a Cadillac V‑16 Sport Phaeton
Artist
Date1931
molded copper, bronze and glass
Not on view
John V. Snow, Sr., Trout, 1990, oil on basswood, copper, and lead with glass, Smithsonian American Art Museum, Gift of the artist, 1991.103.2
Trout
Artist
Date1990
oil on basswood, copper, and lead with glass
On view
Andrew Trombley, Bass Decoy, ca. 1940s, carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.20
Bass Decoy
Artist
Dateca. 1940s
carved and painted wood, painted copper sheet, ferrous eye hook, lead weight, and glass eyes
On view