Night Magic (Blue Jester)

Carlos Almaraz, Night Magic (Blue Jester), 1988, oil on canvas, Smithsonian American Art Museum, Gift of Gloria Werner, 2011.12, © 1988, Carlos Almaraz Estate
Carlos Almaraz, Night Magic (Blue Jester), 1988, oil on canvas, 54 x 54 in. (137.2 x 137.2 cm) framed, Smithsonian American Art Museum, Gift of Gloria Werner, 2011.12, © 1988, Carlos Almaraz Estate

Artwork Details

Title
Night Magic (Blue Jester)
Artist
Date
1988
Location
Not on view
Dimensions
54 x 54 in. (137.2 x 137.2 cm) framed
Copyright
© 1988, Carlos Almaraz Estate
Credit Line
Gift of Gloria Werner
Mediums Description
oil on canvas
Classifications
Subjects
  • Cityscape — time — night
  • Figure — nude
Object Number
2011.12
Linked Open Data
https://edan.si.edu/saam/id/object/2011.12

Artwork Description

Almaraz was a pioneering Chicano artist who produced art for the United Farm Workers Union and cofounded Los Four, one of the earliest Chicano collectives. A later shift to expressionistic painting and graphics brought him national recognition. By the 1980s, his non-narrative images of Los Angeles addressed both his cultural affiliations and sense of isolation with living with AIDS. Night Magic (Blue Jester), inspired by velvet paintings sold on the U.S.-Mexico border, represents urban Los Angeles exploding with sensuous colors and populated by shadows suggestive of Almaraz’s lonely alter egos.

Our America: The Latino Presence in American Art, 2013
Description in Spanish

Almaraz, artista chicano pionero, produjo arte para la Unión de Campesinos y co-fundó a Los Four, uno de los primeros colectivos artísticos chicanos. Luego de adoptar un estilo expresionista en su obra pictórica y gráfica obtuvo reconocimiento a nivel nacional. Hacia los ochenta, sus imágenes no narrativas de Los Ángeles sugirieron tanto sus raíces culturales como el aislamiento que sentía al padecer del SIDA. Su obra Night Magic (Blue Jester), inspirada por pinturas sobre terciopelo vendidas en la frontera entre México y Estados Unidos, representa à la ciudad de Los Ángeles con una explosión de colores sensuales y poblado de sombras sugerentes de los alter egos solitarios de Almaraz.

Nuestra América: la presencia latina en el arte estadounidense, 2013 
 

Works by this artist (8 items)

View all artworks
Daniel Huntington, Unidentified, Perry Transferring His Flag to the Niagara, late 19th century, oil and pencil on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. George B. Tatum, 1974.21
Perry Transferring His Flag to the Niagara
Artist
Unidentified
Copy after Daniel Huntington
Datelate 19th century
oil and pencil on canvas
Not on view
Image Not Available
Lady Washington’s Reception
Artist
Daten.d.
color lithograph
Not on view
Daniel Huntington, Benjamin Hazard Field, 1887, oil on canvas, Smithsonian American Art Museum, Gift of International Business Machines Corporation, 1966.80.2
Benjamin Hazard Field
Artist
Date1887
oil on canvas
Not on view
Daniel Huntington, A Swiss Lake, 1849, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1978.70
A Swiss Lake
Artist
Date1849
oil on canvas
Not on view

Exhibitions

Media - 2011.12 - SAAM-2011.12_1 - 77591
Our America: The Latino Presence in American Art
October 25, 2013–March 2, 2014
Smithsonian American Art Museum
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

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