Domestic Insertion (Tea for One)

Jeffrey Clancy, Domestic Insertion (Tea for One), 2004, frame, mild steel, enamel spray paint, magnet, magazine image, and foam core, Smithsonian American Art Museum, Gift of Cicie Sattarnilasskorn in memory of Jackie Sattarnilasskorn, 2012.19A-B, © 2004, Jeffrey Clancy
Jeffrey Clancy, Domestic Insertion (Tea for One), 2004, frame, mild steel, enamel spray paint, magnet, magazine image, and foam core, 11 589 12 in. (29.424.2 cm), Smithsonian American Art Museum, Gift of Cicie Sattarnilasskorn in memory of Jackie Sattarnilasskorn, 2012.19A-B, © 2004, Jeffrey Clancy

Artwork Details

Title
Domestic Insertion (Tea for One)
Date
2004
Location
Not on view
Dimensions
11 589 12 in. (29.424.2 cm)
Copyright
© 2004, Jeffrey Clancy
Credit Line
Gift of Cicie Sattarnilasskorn in memory of Jackie Sattarnilasskorn
Mediums
Mediums Description
frame, mild steel, enamel spray paint, magnet, magazine image, and foam core
Classifications
Subjects
  • Architecture Interior — detail — fireplace
  • Architecture Interior — domestic
Object Number
2012.19A-B

Works by this artist (6 items)

Aaron Sopher, Trash (Ash Can), 1933, pencil and wash on paper, Smithsonian American Art Museum, Bequest of Olin Dows, 1983.90.178
Trash (Ash Can)
Date1933
pencil and wash on paper
Not on view
Aaron Sopher, The Violinist, ca. 1934, pen and ink on paper, Smithsonian American Art Museum, Bequest of Olin Dows, 1983.90.176
The Violinist
Dateca. 1934
pen and ink on paper
Not on view
Aaron Sopher, Yellow Coat, ca. 1934, pen and ink and watercolor on paper, Smithsonian American Art Museum, Bequest of Olin Dows, 1983.90.177
Yellow Coat
Dateca. 1934
pen and ink and watercolor on paper
Not on view
Aaron Sopher, Peanut Joe's, Baltimore, 1934, pen and ink and watercolor on paper, Smithsonian American Art Museum, Bequest of Olin Dows, 1983.90.179
Peanut Joe’s, Baltimore
Date1934
pen and ink and watercolor on paper
Not on view

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40 Under 40: Craft Futures
40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists. Organized in celebration of the fortieth anniversary of the Renwick Gallery, the Smithsonian's branch museum for American craft and decorative arts, this project gathers forty makers born since 1972, the year the Renwick opened to the public. Apparent are rapidly evolving notions of craft, ranging from traditional media, such as ceramics and jewelry, to fields as varied as sculpture, industrial design, performance and installation art, fashion design, sustainable manufacturing, and mathematics.

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