Adoration of St. Joan of Arc

J. William Fosdick, Adoration of St. Joan of Arc, 1896, fire etched wood relief, three panels, each: 109 3449 12 in. (278.8125.7 cm.), Smithsonian American Art Museum, Gift of William T. Evans, 1910.9.8
Free to use

Artwork Details

Title
Adoration of St. Joan of Arc
Date
1896
Dimensions
three panels, each: 109 3449 12 in. (278.8125.7 cm.)
Credit Line
Gift of William T. Evans
Mediums
Mediums Description
fire etched wood relief
Classifications
Subjects
  • History — medieval — France
  • Dress — historic — armor
  • Religion — angel
  • Religion — saint — St. Joan of Arc
Object Number
1910.9.8

Artwork Description

Fosdick made this relief to appeal to wealthy industrialists who favored richly designed interiors and uplifting art. He tapped into the fantasy of a more spiritual past, and when the screen was exhibited, it was praised for craftsmanship that rivaled a medieval masterwork.

At the turn of the twentieth century, Joan of Arc was a popular symbol in American culture. Mark Twain wrote about her in 1896, Anna Hyatt Huntington created a sculpture of the martyr for Riverside Drive in New York, and George Bernard Shaw's famous play about her was first produced on Broadway in 1923. She could be a figure from the romantic past and an emblem of the "New Woman" in the modern world. Joan may have died for king and country—as the legend at the bottom of the screen records—but her symbolic power as a woman who took history into her hands also resonated among women fighting for the right to vote.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (1 item)

Victor Joseph Ségoffin, Head of Man Expressive of Horror, 1915, charcoal and chalk, Smithsonian American Art Museum, Gift of the Republic of France, 1915.11.75
Head of Man Expressive of Horror
Date1915
charcoal and chalk
Not on view

More Artworks from the Collection

Sam Gilliam, Art Ramp Angle Brown, 1978, acrylic and oil enamel on canvas and nylon, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1979.159.41
Art Ramp Angle Brown
Date1978
acrylic and oil enamel on canvas and nylon
Not on view
Barry Dalgleish, Interior with Still Life--New Year's Day, 1981, oil and acrylic canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.18, © 1981, Barry Dalgleish
Interior with Still Life – New Year’s Day
Date1981
oil and acrylic canvas
Not on view
Roger Brown, World's Tallest Disaster, 1972, oil and magma on canvas, Smithsonian American Art Museum, Museum purchase, 1974.91
World’s Tallest Disaster
Date1972
oil and magma on canvas
On view
Stanley Edwards, Infant in Altar IV, 1965, oil and acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection, 1980.137.24
Infant in Altar IV
Date1965
oil and acrylic on canvas
Not on view