The progress of democracy seems irresistible, because it is the most uniform, the most ancient, and the most permanent tendency which is to be found in history.” – Alexis de Tocqueville, Democracy in America, 1835. From the series Great Ideas of Western 

Jacques Nathan Garamond, "The progress of democracy seems irresistible, because it is the most uniform, the most ancient, and the most permanent tendency which is to be found in history."--Alexis de Tocqueville, Democracy in America, 1835. From the series Great Ideas of Western Man., 1955, gouache and pencil on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.98
Jacques Nathan Garamond, "The progress of democracy seems irresistible, because it is the most uniform, the most ancient, and the most permanent tendency which is to be found in history."--Alexis de Tocqueville, Democracy in America, 1835. From the series Great Ideas of Western , 1955, gouache and pencil on paper mounted on paperboard, sheet: 1311 in. (33.027.9 cm), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.98

Artwork Details

Title
The progress of democracy seems irresistible, because it is the most uniform, the most ancient, and the most permanent tendency which is to be found in history.” – Alexis de Tocqueville, Democracy in America, 1835. From the series Great Ideas of Western Man.
Date
1955
Location
Not on view
Dimensions
sheet: 1311 in. (33.027.9 cm)
Credit Line
Gift of Container Corporation of America
Mediums
Mediums Description
gouache and pencil on paper mounted on paperboard
Classifications
Subjects
  • Figure — fragment — face
  • Abstract
Object Number
1984.124.98

Works by this artist (5 items)

Alex R. Stavenitz, Still Life--Three Forms, 1930, softground etching, Smithsonian American Art Museum, Gift of the artist, 1969.3.63
Still Life – Three Forms
Date1930
softground etching
Not on view
Alex R. Stavenitz, Mother and Child, 1932, softground etching, Smithsonian American Art Museum, Gift of the artist, 1969.3.61
Mother and Child
Date1932
softground etching
Not on view

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Stephen Mopope, Kiowas Moving Camp (mural study, Anadarko, Oklahoma federal building), 1936, gouache and pencil on paper mounted on paperboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1974.28.370
Kiowas Moving Camp (mural study, Anadarko, Oklahoma federal…
Date1936
gouache and pencil on paper mounted on paperboard
Not on view
Awa Tsireh, Buffalo Man, Buffalo Dance, ca. 1920-1925, gouache and pencil on paperboard, Smithsonian American Art Museum, Corbin-Henderson Collection, gift of Alice H. Rossin, 1979.144.23
Buffalo Man, Buffalo Dance
Dateca. 1920-1925
gouache and pencil on paperboard
Not on view
William H. Johnson, Study for War Voyage, ca. 1942-1943, gouache and pen and ink with pencil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.137
Study for War Voyage
Dateca. 1942-1943
gouache and pen and ink with pencil on paperboard
Not on view
Owen McHugh, Unfolded #25, n.d., watercolor, gouache and pencil on paper, Smithsonian American Art Museum, Gift of the S. W. and B. M. Koffler Foundation, 1980.103.5
Unfolded #25
Daten.d.
watercolor, gouache and pencil on paper
Not on view