Arnold Blanch

Eugenie Gershoy, Arnold Blanch, 1934, bronze, 20 348 387 58 in. (52.721.219.3 cm), Smithsonian American Art Museum, Gift of Doris Lee Blanch, 1969.163

Artwork Details

Title
Arnold Blanch
Date
1934
Dimensions
20 348 387 58 in. (52.721.219.3 cm)
Credit Line
Gift of Doris Lee Blanch
Mediums
Mediums Description
bronze
Classifications
Subjects
  • Portrait male — Blanch, Arnold — full length
  • Dress — accessory — apron
  • Occupation — art — printmaker
  • Occupation — art — painter
  • Occupation — art — designer
Object Number
1969.163

Artwork Description

Arnold Blanch studied at the Minneapolis School of Fine Arts, then at New York’s Art Students League, where he met Eugenie Gershoy. He joined the artists’ colony at Woodstock in 1923 with his wife, Lucile Blanch, and stayed there for several years, painting still lifes and landscapes. He worked in New York City during the 1930s, along with many other artists from the colony, and painted murals for the Works Progress Administration. Gershoy modeled this piece while they were both at Woodstock in 1934. It shows Blanch, paintbrushes in hand, contemplating an invisible canvas.

Works by this artist (15 items)

Eugenie Gershoy, Chaim Gross, 1969, bronze, Smithsonian American Art Museum, Gift of Chaim and Renee Gross, 1970.75
Chaim Gross
Date1969
bronze
On view
Eugenie Gershoy, Moses Soyer, 1967, bronze, Smithsonian American Art Museum, Gift of the artist, 1969.157
Moses Soyer
Date1967
bronze
On view
Eugenie Gershoy, Carl Walters, 1935, bronze, Smithsonian American Art Museum, Gift of Dr. and Mrs. James Neely in memory of the Honorable William H. Neely, 1971.55
Carl Walters
Date1935
bronze
On view
Eugenie Gershoy, Ill-Fated Toreador, ca. 1935-1939, polychromed dextrine on wood, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.31
Ill-Fated Toreador
Dateca. 1935-1939
polychromed dextrine on wood
On view

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