Drawing for Southwest Pieta
Luis Jiménez
Death Cart
Luis Tapia
Cocina Jaiteca
Larry Yañez
Our Lady of Guadalupe
Pedro Antonio Fresquís
Anima (Alma/Soul)
Ana Mendieta
Sueño (Dream: Eve before Adam)
Alfredo Arreguín
Mis Hermanos
Jesse Treviño
Granite Weaving
Jesús Bautista Moroles
Sun Mad
Ester Hernández
Farm Workers' Altar
Emanuel Martínez
Somos la Luz
Charles "Chaz" Bojórquez
The Protagonist of an Endless Story
Angel Rodríguez-Díaz

Somos La Luz
Charles "Chaz" Bojórquez




Charles “Chaz” Bojórquez grew up in East Los Angeles where he was exposed to the graffiti of the gangs around him. Somos La Luz (We Are the Light) combines a variety of writing styles layered one on top of another, simulating successive layers of paint accumulated on a wall. In creating the textural density of this dynamic composition, he used many subtle tonal variations that range from silver gray to black.

Media coverage of a Los Angeles competition to determine the city's best graffiti artist inspired this wall-sized painting. When critics used words like "respect," "acceptance," and "art," he realized that the outlaw language of street gangs had achieved a measure of approval. "The dark letters," he reported, "are the names of the young writers (Zender, Nuke, Duke, Skill, and Krenz) who are changing the legitimacy of graffiti language from the dark underground to the steel strength and light of acceptance." The words of the title appear among the names and numbers in this tribute to the tenacity and achievement of urban youth.

Like many artists of his generation, he was inspired by the Chicano movement for civil rights to create art that functions on multiple social and aesthetic levels. Although he lives in Los Angeles—a city from which he draws great inspiration—he has traveled to several countries and regions, including the South Pacific, Asia, and Europe, in search of other calligraphic languages.

For quote, see Charles “Chaz” Bojórquez, statement in curatorial files, 1994, Smithsonian American Art Museum.

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