Graphic Masters II: Highlights from the Smithsonian American Art Museum

Graphic Masters II: Highlights from the Smithsonian American Art Museum, the second in a series of special installations, celebrates the extraordinary variety and accomplishment of American artists’ works on paper. 

Description

These exceptional watercolors, pastels, and drawings from the 1920s to the 1960s reveal the central importance of works on paper for American artists, both as studies for creations in other media and as finished works of art. Rarely seen works from the museum's permanent collection by artists such as Stuart Davis, Sam Francis, Edward Hopper, Willem de Kooning, Joseph Stella, Grant Wood, and Andrew Wyeth will be featured in the exhibition. Joann Moser, senior curator for graphic arts, selected the artworks in Graphic Masters.

Visiting Information

June 18, 2009 January 10, 2010
Open Daily, 11:30 a.m.–7:00 p.m
Free Admission

Publications

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Graphic Masters: Highlights from the Smithsonian American Art Museum
Graphic Masters celebrates the extraordinary variety and accomplishment of American artists’ works on paper. Exceptional watercolors, pastels, and drawings from the 1860s through the 1990s reveal the central importance of works on paper for American artists, both as studies for creations in other media and as finished works of art. Traditionally a more intimate form of expression than painting or sculpture, drawings often reveal greater spontaneity and experimentation. Even as works on paper become larger and more finished, competing in scale with easel paintings, they retain a sense of the artist’s hand, the immediacy of a thought made visible.

Online Gallery

Paul Manship, Sketch of Egyptian Jackals, 1924, watercolor, gouache and pencil on paper, Smithsonian American Art Museum, Bequest of Paul Manship, 1966.47.237
Sketch of Egyptian Jackals
Date1924
watercolor, gouache and pencil on paper
Not on view
William H. Johnson, Going Out, ca. 1939-1942, gouache, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1088
Going Out
Dateca. 1939-1942
gouache, pen and ink and pencil on paper
Not on view
William H. Johnson, Lunchtime Rest, ca. 1940-1941, tempera and pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1100
Lunchtime Rest
Dateca. 1940-1941
tempera and pen and ink on paper
Not on view
Seong Moy, Black Shore Dunes, ca. 1955-1965, brush and ink and ink wash on paper, Smithsonian American Art Museum, Gift of the artist, 1969.35.28, © 1965, Seong Moy
Black Shore Dunes
Dateca. 1955-1965
brush and ink and ink wash on paper
Not on view
Stanley William Hayter, Amagansett, 1944, pen and ink and watercolor on paper, Smithsonian American Art Museum, Museum purchase, 1969.58.2
Amagansett
Date1944
pen and ink and watercolor on paper
Not on view
Morris Graves, Folded Wings--Memory--& the Moon Weeping, ca. 1942-1943, ink wash and gouache on paper, Smithsonian American Art Museum, Gift of Michael and Caryl Marsh, 1969.78
Folded Wings – Memory – & the Moon Weeping
Dateca. 1942-1943
ink wash and gouache on paper
Not on view
Mitchell Siporin, Back of the Yards, ca. 1937, pencil on paper, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.80
Back of the Yards
Dateca. 1937
pencil on paper
Not on view
Louis Lozowick, Drawbridge, 1939, pencil and charcoal pencil on illustration board, Smithsonian American Art Museum, Museum purchase, 1972.123, © 1939, Lee Lozowick
Drawbridge
Date1939
pencil and charcoal pencil on illustration board
Not on view
Stuart Davis, Abstraction, 1937, watercolor and gouache on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, 1972.81
Abstraction
Date1937
watercolor and gouache on paper
Not on view
Joseph Stella, Portrait of Clara Fasano, 1943, pastel on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.32.2
Portrait of Clara Fasano
Date1943
pastel on paper
Not on view
Isaac Soyer, The Waitress, ca. 1934-1939, pencil on paper, Smithsonian American Art Museum, Transfer from the Evander Childs High School, Bronx, New York through the General Services Administration, 1975.83.111
The Waitress
Dateca. 1934-1939
pencil on paper
Not on view
Louis Lozowick, Stage Setting for "Gas", 1926, pen and ink, brush and ink, tempera and pencil on paperboard, Smithsonian American Art Museum, Museum purchase, 1976.10, © 1926, Lee Lozowick
Stage Setting for Gas”
Date1926
pen and ink, brush and ink, tempera and pencil on paperboard
Not on view
John Ferren, Blue in Space, ca. 1937, pastel on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Daisy Shapiro, 1976.130, © 1937 John Ferren
Blue in Space
Dateca. 1937
pastel on paper mounted on paperboard
Not on view
David Smith, Untitled, ca. 1951, ink and tempera on paper, Smithsonian American Art Museum, Museum purchase, 1979.104
Untitled
Dateca. 1951
ink and tempera on paper
Not on view
Isabel Bishop, Card Player, 1937, pen and ink, ink wash, and pencil on paper, Smithsonian American Art Museum, Bequest of Frank McClure, 1979.98.31
Card Player
Date1937
pen and ink, ink wash, and pencil on paper
Not on view
Willem de Kooning, Untitled, 1950, enamel on paper mounted on paperboard, Smithsonian American Art Museum, Museum purchase from the Vincent Melzac Collection through the Smithsonian Institution Collections Acquisition Program, 1980.5.2
Untitled
Date1950
enamel on paper mounted on paperboard
Not on view
Charles Sheeler, Study for American Interior, 1934, ca. 1934, watercolor, opaque watercolor and pencil on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1982.90
Study for American Interior, 1934
Dateca. 1934
watercolor, opaque watercolor and pencil on paper
Not on view
Raymond Jonson, Monument to Sound, 1936, pencil on paper mounted on fiberboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1985.65.21
Monument to Sound
Date1936
pencil on paper mounted on fiberboard
Not on view
John Steuart Curry, Self-Portrait, 1928, charcoal, conte crayon and pencil on paper, Smithsonian American Art Museum, Museum purchase, 1985.78
Self-Portrait
Date1928
charcoal, conte crayon and pencil on paper
Not on view
Arthur Dove, Car across the Street, 1940, pen and ink and watercolor on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.24
Car across the Street
Date1940
pen and ink and watercolor on paper
Not on view
Morris Graves, Hibernation, 1954, watercolor on paper mounted on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.37
Hibernation
Date1954
watercolor on paper mounted on paper
Not on view
Edward Hopper, White River at Sharon, 1937, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.41
White River at Sharon
Date1937
watercolor and pencil on paper
Not on view
Mark Tobey, Canticle, 1954, casein on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.79
Canticle
Date1954
casein on paper
Not on view
I. Rice Pereira, Sketch for Machine Composition #2, ca. 1936, pencil and crayon on paper, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.73
Sketch for Machine Composition #2
Dateca. 1936
pencil and crayon on paper
Not on view
David Smith, Private Law and Order Leagues (study for medallion, Medals for Dishonor series), ca. 1938-1939, felt-tipped pen and ink (from verso) and pen and ink on paper, Smithsonian American Art Museum, Museum purchase made possible by Olin Dows, 1988.60
Private Law and Order Leagues (study for medallion, Medals…
Dateca. 1938-1939
felt-tipped pen and ink (from verso) and pen and ink on paper
Not on view
Andrew Wyeth, November First, 1950, watercolor on paper mounted on paperboard, Smithsonian American Art Museum, Bequest of Winifred M. Jacobson, 1990.55
November First
Date1950
watercolor on paper mounted on paperboard
Not on view
Jacob Lawrence, Captain Skinner, 1944, gouache on paperboard, Smithsonian American Art Museum, Gift of Carlton Skinner, 1990.65
Captain Skinner
Date1944
gouache on paperboard
Not on view
Grant Wood, Village Slums, 1937, charcoal, pencil and chalk on paperboard, Smithsonian American Art Museum, Gift of Park and Phyllis Rinard, 1991.122.1
Village Slums
Date1937
charcoal, pencil and chalk on paperboard
Not on view
Charles Seliger, Celestial, 1956, mixed media: pencil, tempera, oil and wax on illustration board, Smithsonian American Art Museum, Gift of Mr. and Mrs. Hy Klebanow, 1992.58
Celestial
Date1956
mixed media: pencil, tempera, oil and wax on illustration board
Not on view
Victor Higgins, Arroyo Landscape, ca. 1929-1933, watercolor on paper, Smithsonian American Art Museum, Gift of Arvin Gottlieb, 1993.48.5
Arroyo Landscape
Dateca. 1929-1933
watercolor on paper
Not on view
Alfonso Ossorio, Double Portrait, 1944, watercolor and black ink on paper, Smithsonian American Art Museum, Museum purchase, 1993.70
Double Portrait
Date1944
watercolor and black ink on paper
Not on view
Dorothea Tanning, On Fire, 1949, pencil and colored pencil on paper, Smithsonian American Art Museum, Museum purchase made possible by Mrs. Gibson Fahnestock, 1995.10
On Fire
Date1949
pencil and colored pencil on paper
Not on view
Gene Davis, Saber Dance, 1952, ink and ink wash on paper, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.55, © 1952 Gene Davis Estate
Saber Dance
Date1952
ink and ink wash on paper
Not on view
John Steuart Curry, Our Good Earth, 1942, watercolor on illustration board, Smithsonian American Art Museum, Museum purchase made possible by Ralph Cross Johnson and William T. Evans, 2001.4
Our Good Earth
Date1942
watercolor on illustration board
Not on view
Arthur Dove, Over the Harbor, Centerport, 1942, watercolor on paper, Smithsonian American Art Museum, Bequest of Edith S. and Arthur J. Levin, 2005.5.25
Over the Harbor, Centerport
Date1942
watercolor on paper
Not on view
Sam Francis, Untitled, 1960, gouache on paper, Smithsonian American Art Museum, Bequest of Edith S. and Arthur J. Levin, 2005.5.31
Untitled
Date1960
gouache on paper
Not on view
Charles White, The Children, 1950, ink and graphite on paper, Smithsonian American Art Museum, Gift of Julie Seitzman and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2009.13
The Children
Date1950
ink and graphite on paper
Not on view

Artists

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Stuart Davis
born Philadelphia, PA 1892-died New York City 1964

Pioneer modernist painter who exhibited at the 1913 New York Armory Show. Davis believed that "a subject had its emotional reality," which could be gleaned through an awareness of geometric planes and spatial relationships.

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Willem de Kooning
born Rotterdam, Netherlands 1904-died East Hampton, NY 1997

Born in Holland, moved to the United States in 1924.

Sam Francis
born San Mateo, CA 1923-died Santa Monica, CA 1994

Of the West Coast artists that Martha Jackson brought to New York, certainly the most celebrated and ultimately the most successful was a painter whose reputation was well established in Europe before Americans paid him much heed.

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Edward Hopper
born Nyack, NY 1882-died New York City 1967

Realist painter who studied with Robert Henri and Kenneth Hayes Miller at the New York School of Art.

Joseph Stella
born Muro Lucano, Italy 1877-died New York City 1946

Born in Italy, brought to New York City in 1896, visited Europe in later years. Artist who experimented with a variety of approaches (ranging from Futurism to classic idealism) and techniques (including oils, pastels, and collage.)

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Grant Wood
born Anamosa, IA 1891-died Iowa City, IA 1942

Painter. A practitioner of American scene painting, Wood painted views of the Midwest in a realistic style mixed with satire.

Andrew Wyeth
born Chadds Ford, PA 1917-died Chadds Ford, PA 2009

Born 12 July 1917, Chadds Ford, Pa., the son of illustrator and painter N.C. Wyeth, who instructed him in art. Family divided each year between Chadds Ford and New England, especially Port Clyde, Maine; a habit Wyeth has continued.