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Alexis Rockman: A Fable for Tomorrow

November 19, 2010 – May 8, 2011


Image for Alexis Rockman: A Fable for Tomorrow

Alexis Rockman, The Pelican, 2006, oil on wood, Courtesy Elizabeth Schwartz, New York. © Alexis Rockman. Photo courtesy of the artist

Alexis Rockman (b. 1962) has been depicting the natural world with virtuosity and wit for more than two decades. He was one of the first contemporary artists to build his career around exploring environmental issues, from evolutionary biology and genetic engineering to deforestation and climate change. Rockman has garnered attention for embracing these issues, as well as for the epic quality of his projects, including several monumentally scaled canvases. His work expresses deep concerns about the world’s fragile ecosystems and the tension between nature and culture, which are communicated through vivid, even apocalyptic, imagery. Rockman achieves his vision through a synthesis of fantasy and empirical fact, using sources as varied as natural history, botanical illustrations, museum dioramas, science fiction films, realist art traditions dating back to the Renaissance, and firsthand field study.

Alexis Rockman: A Fable for Tomorrow is the first major survey of the artist's work and features 47 paintings and works on paper from private and public collections. The title of the exhibition is taken from the opening chapter of Rachel Carson's influential 1962 book Silent Spring. In it, Carson combines two seemingly incompatible literary genres—mythic narrative and factual reportage. Rockman approaches his paintings with a similar intent.

The exhibition traces Rockman's artistic development from the mid-1980s to the present. Highlights include Evolution (1992), his first mural-sized painting, and Manifest Destiny (2003-2004), an ambitious large-scale work commissioned by the Brooklyn Museum of Art. The exhibition is organized by Joanna Marsh, The James Dicke Curator of Contemporary Art.

The accompanying book, co-published by the Smithsonian American Art Museum and London-based D Giles Limited, is written by Joanna Marsh with contributions from Thomas Lovejoy, biodiversity chair at the H. John Heinz III Center for Science, Economics, and the Environment in Washington, D.C.; Kevin J. Avery, senior research scholar at the Metropolitan Museum of Art; and a foreword by Elizabeth Broun, The Margaret and Terry Stent Director of the Smithsonian American Art Museum. Marsh’s essay weaves the themes of Rockman’s career and the history of America’s environmental movement into a cohesive narrative. Avery considers Rockman’s art historical references to 19th-century painting, while Lovejoy offers insights in the marriage of art and science in Rockman’s work from the perspective of an expert on biodiversity and climate change. The book is for sale ($49.95/$35 softcover) through the museum's website and store, and at bookstores nationwide.

Smithsonian American Art Museum in Washington, D.C. (November 19, 2010 - May 8, 2011)
Wexner Center for the Arts in Columbus, Ohio (September 16, 2011 - January 1, 2012)

For Teachers
Artists and scientists have many shared interests—from observation skills to an understanding of the properties of materials. On Saturday, December 11, 2010, the museum is offering a professional development workshop, Teaching Science Through Art: Alexis Rockman, in which teachers will explore these connections using the work of several artists, including Alexis Rockman. Registration is required.

Free Public Programs
December 7, 2010 at 6 p.m.; Exhibition Gallery Talk, curator Joanna Marsh
January 12, 2011 at 7 p.m.; Art and Science Lecture Series, Alexis Rockman
February 9, 2011 at 7 p.m.; Art and Science Lecture Series, J.D. Talasek
February 12, 2011 at 4 p.m.; Flora and Fauna II with 21st Century Consort
February 23, 2011 at 7 p.m.; Art and Science Lecture Series, Tom Lovejoy
March 30, 2011 at 7 p.m.; Art and Science Lecture Series, Steve Monfort
March 31, 2011 at 6:30 p.m.; Rockman Film Series, Creature from the Black Lagoon
April 19, 2011 at 7 p.m.; Art and Science Lecture Series, Rhonda Roland Shearer
April 27, 2011 at 7 p.m.; Art and Science Lecture Series, Cristián Samper
April 28, 2011 at 6:30 p.m.; Rockman Film Series, The Beast from 20,000 Fathoms

In the News
ARTnews, March 2011, Review by Rex Weil
The Huffington Post, January 19, 2011, "Climate Activism and the Paintings of Alexis Rockman" by Keith Harrington
Wired, December 2, 2010, Wired Science blog, "Gallery: 10 Visions of the Postnatural World” by Brandon Keim
Art in America, December 2010, "In the Studio: Alexis Rockman" with Dan Tranberg
Smithsonian magazine, December 2010, "Painter Alexis Rockman Pictures Tomorrow" by Cathleen McGuigan
The Washington Post, November 26, 2010, "The natural world – real and imagined" by Michael O’Sullivan
NPR, November 20, 2010, Weekend Edition, "Painting The Future: Rockman Blends Reality, Fantasy" by Joe Palca

The Museum's blog Eye Level
Read exhibition-related blog posts including, 5 Questions: Curator Joanna Marsh on Alexis Rockman, Five (and a half) Questions with Alexis Rockman, Alexis Rockman’s Evolution, and 5 Questions with Thomas Lovejoy.

Alexis Rockman: A Fable for Tomorrow is organized by the Smithsonian American Art Museum, with generous support from the Cowles Charitable Trust, Kara and Wayne Fingerman, Dorothy Tapper Goldman, Barbara and Jonathan Lee, Nion McEvoy, Pamela K. and William A. Royall Jr., Holly and Nick Ruffin, Betty A. and Lloyd G. Schermer, Sheila Duignan and Mike Wilkins, and an anonymous donor.