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Exhibitions: To Make a World: George Ault and 1940s America / American Art
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Exhibitions

To Make a World: George Ault and 1940s America

March 11, 2011 – September 5, 2011

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Image for To Make a World: George Ault and 1940s America

George Ault, Bright Light at Russell's Corners, 1946, Smithsonian American Art Museum, Gift of Mr. and Mrs. Sidney Lawrence

During the turbulent 1940s, artist George Ault (1891-1948) created precise yet eerie pictures—works of art that have come to be seen, following his death, as some of the most original paintings made in America in those years. The beautiful geometries of Ault’s paintings make personal worlds of clarity and composure to offset a real world he felt was in crisis.

To Make a World captures a 1940s America that was rendered fragile by the Great Depression and made anxious by a global conflict. Although much has been written about the glorious triumph of the Second World War, what has dimmed over time are memories of the anxious tenor of life on the home front, when the country was far distant from the battlefields and yet profoundly at risk. The exhibition centers on five paintings Ault made between 1943 and 1948 depicting the crossroads of Russell’s Corners in Woodstock, N.Y. The additional twenty-two artists represented in this exhibition include some as celebrated as Edward Hopper and Andrew Wyeth, while others are scarcely known to today’s art audiences. Taken together, their artworks reveal an aesthetic vein running through 1940s American art that previously has not been identified. From their remote corners of the country, these artists conveyed a still quietude that seems filled with potentialities.

To Make a World brings viewers back into the world of the American 1940s, drawing them in through the least likely of places and spaces: not grand actions, not cataclysmic events, not epoch-making personalities, posters, and headlines, but silent regions where some mystery seems always on the verge of being disclosed.

Alexander Nemerov, the Vincent Scully Professor of the History of Art at Yale University, is the curator of the exhibition.


Book
The accompanying book, co-published by the museum and Yale University Press, is written by Alexander Nemerov with a foreword by Elizabeth Broun, The Margaret and Terry Stent Director of the museum. It is available for purchase ($45) online, and at the museum's store and bookstores nationwide.


National Tour
The Nelson-Atkins Museum of Art in Kansas City, Missouri (October 15, 2011– January 8, 2012)
Georgia Museum of Art at the University of Georgia in Athens (February 18, 2012–April 16, 2012)


In the News
Smithsonian magazine, May 10, 2011, "George Ault's World" and video interview with Alexander Nemerov by Megan Gambino
Washington City Paper, April 8, 2011, "What the Smithsonian gets wrong about an American misfit" by Jeffrey Cudlin
The Washington Post, March 15, 2011, "To Make a World, as glimpsed by painter George Ault" by Philip Kennicott
The Magazine Antiques, January/February 2011, "George Ault and 1940s America" by Alexander Nemerov


Eye Level
September 1, 2011. Saying Goodbye (and sometimes hello) to George Ault
July 5, 2011, Aultered States: George Ault's Disquieting World
June 7, 2011, Seeing Things (9): Cloudopolis
March 22, 2011, Darkness at the Edge of Town: George Ault and 1940s America
March 10, 2011, Picture This: George Ault and 1940s America


Free Public Programs
March 11, 2011 at 7 p.m.; Exhibition Talk with curator Alexander Nemerov
April 7, 2011 at 6:30 p.m.; George Ault Film Series, Gaslight
April 14, 2011 at 6:30 p.m.; George Ault Film Series, It’s a Wonderful Life
May 5, 2011 at 6:30 p.m.; George Ault Film Series, The Seventh Victim
June 2, 2011 at 7 p.m.; George Ault’s Disquieting World with Stephen May
June 11, 2011 at 4 p.m.; The House I Live In
June 23, 2011 at 6:30 p.m.; George Ault Film Series, Mildred Pierce
July 21, 2011 at 6:30 p.m.; George Ault Film Series, Cat People
July 28, 2011 at 6:30 p.m.; George Ault Film Series, Curse of the Cat People
August 10, 2011 at 6:30 p.m.; George Ault Film Series, They Were Expendable

Credit
To Make a World: George Ault and 1940s America is organized by the Smithsonian American Art Museum with generous support from Dolores and John W. Beck, Joan and E. Bertram Berkley, Diane and Norman Bernstein Foundation, Janet and Jim Dicke, Sheila Duignan and Mike Wilkins, Barney A. Ebsworth, Tania and Tom Evans, Kara and Wayne Fingerman, Furthermore, a program of the J. M. Kaplan Fund, Wolf Kahn and Emily Mason Foundation, Joffa and Bill Kerr, Robert S. and Grayce B. Kerr Foundation, John and Gail Liebes Trust, Paula and Peter Lunder, Betty and Whitney MacMillan, Margery and Edgar Masinter, Oriana McKinnon, Susan Reed Moseley, and Betty and Lloyd Schermer. Additional funding is provided through the museum’s William R. Kenan, Jr. Endowment Fund and Gene Davis Memorial Fund. The C.F. Foundation in Atlanta supports the museum's traveling exhibition program, Treasures to Go.


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